# Difference between revisions of "Take 6 Transcription Programme: The Butterworth Archive, MS 7a"

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Go to [[Take 6 Transcription Programme]] Home Page | Go to [[Take 6 Transcription Programme]] Home Page | ||

+ | |||

+ | |||

+ | '''For playback, abc files, and midi files, of these transcriptions that are linked to their original MSS enter the filenames [LEB/2/1/1 or whatever] in the search box here. [[http://www.vwml.org/]]''' | ||

+ | |||

+ | |||

+ | |||

+ | == Sheet Music Tune Book of Melodies from Butterworth MS 7a == | ||

+ | |||

+ | |||

+ | [[File:Butterworth MS 7a Tune Book.pdf]] | ||

+ | |||

+ | |||

+ | |||

+ | |||

+ | == Book of Incipits of Melodies from Butterworth MS 7a == | ||

+ | |||

+ | |||

+ | [[File:Butterworth MS 7a incipits.pdf]] | ||

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[[File:GB-7a-1.xml]] | [[File:GB-7a-1.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:1<br> | ||

+ | T:GB/7a/1 Isle of France Version 1 of 3<br> | ||

+ | C:Dick Antony (c. 40), Stanford Bishop, Herefordshire, IX. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/8<br> | ||

+ | M:3/2<br> | ||

+ | I:linebreak $<br> | ||

+ | K:D<br> | ||

+ | DE | F2 A2 F4 B,3 C | D2 D2 D6 A2 | B2 c2 d4 c3 B | ABcA B6 A2 |$ B2 c2 d4 c3 A | ABcA B4 D3 E |<br> | ||

+ | F2 dc B3 A B,3 C | D2 D2 D6 |]<br> | ||

Line 20: | Line 51: | ||

[[File:GB-7a-1A.xml]] | [[File:GB-7a-1A.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:1<br> | ||

+ | T:GB/7a/1A Isle of France Version 2 of 3<br> | ||

+ | C:William Smith (c.40), Stoke Lacey, Herefordshire, IX. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/8<br> | ||

+ | M:3/2<br> | ||

+ | I:linebreak $<br> | ||

+ | K:D<br> | ||

+ | DE | F2 B2 F4 B,3 C | D2 D2 D6 A2 | B2 c2 d4 c3 B | AB c2 B6 A2 |$ B2 e2 d4 c3 B | A2 c2 B6 DE |<br> | ||

+ | F2 B2 F4 B,3 C | D2 D2 D6 |]<br> | ||

Line 29: | Line 73: | ||

[[File:GB-7a-1B.xml]] | [[File:GB-7a-1B.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:1<br> | ||

+ | T:GB/7a/1B Isle of France Version 3 of 3<br> | ||

+ | C:Mr "Skinner" Crow, Filby, Norfolk, IV. 10<br> | ||

+ | P:FW J(ekyll) & GSK B(utterworth)<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/8<br> | ||

+ | M:3/2<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Dmix<br> | ||

+ | D3 E | F2 A2 G2 ED CD E2 | D2 D2 D6 D2 |"^(a)" FGAB c4 AB c2 | d2 dc A6 D2 |$ FGAB c2 A2 B2 c2 |<br> | ||

+ | "^(b)" d2 dc A6 D2 | FG A2 G2 ED CD E2 | D2 D2 D4 |]$"^(a) var. 1" F2 AB c2 A2 B2 c2 ||<br> | ||

+ | "^(a) var. 2" FGAB c2 A2 B2 c2 | d2 d2 A6 D2 ||"^(b) var. 1" dcBc A6 D2 ||<br> | ||

+ | "^(b) var. 2" d2 dc A6 DE ||<br> | ||

Line 38: | Line 98: | ||

[[File:GB-7a-2.xml]] | [[File:GB-7a-2.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:2<br> | ||

+ | T:GB/7a/2 Jolly Fellows that Follow the Plough<br> | ||

+ | T:Version 1 of 2<br> | ||

+ | C:Mr. Ede (c. 40), Bosham, Sussex IV. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | Q:1/4=132<br> | ||

+ | M:3/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:F<br> | ||

+ | c | F G A | B d d | c F F | F2 F | F G A | B A B | G c d | c2 c |$ d d c | d f d | c A c | f e f |<br> | ||

+ | d c A | G c B | A F F | F2 |]<br> | ||

Line 47: | Line 122: | ||

[[File:GB-7a-2A.xml]] | [[File:GB-7a-2A.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:2<br> | ||

+ | T:GB/7a/2A Jolly Fellows that Follow the Plough<br> | ||

+ | T:Version 2 of 2<br> | ||

+ | C:Mr. Richard Newton<br> | ||

+ | P:Noted by FW J(ekyll)<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:3/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:F<br> | ||

+ | F | A A A | c B G | G F F | F2 A | B A B | c f f | _e c d | c2 c |$ c A c | d/e/ f d | c B c |<br> | ||

+ | F G A | B A B | c B G | A F F | F2 |]<br> | ||

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[[File:GB-7a-3.xml]] | [[File:GB-7a-3.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:3<br> | ||

+ | T:GB/7a/3 American King, The<br> | ||

+ | C:Mrs. Cranstone (c.50), Wood Dale, Billingshurst, VII. 07.<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/8<br> | ||

+ | M:3/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:G<br> | ||

+ | GA | B2 B2 cB | A2 A2 BA | G2 E2 F2 | G4 :| GB | d2 d2 ed |$ dB G2 GB | d2 B2 d2 | A4 GA |<br> | ||

+ | B3 d cB | AG E2 GE | D2 G2 A2 | G6 |]<br> | ||

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[[File:GB-7a-4.xml]] | [[File:GB-7a-4.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:4<br> | ||

+ | T:GB/7a/4 Green Mossy Banks of the Lea Version 1 of 4<br> | ||

+ | C:Mr Nappin (c. 50), Stanton St. John, Oxon. V. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:3/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Daeo<br> | ||

+ | D | F A A | F G E | C D E | F G A | F G E | D2 :| D | F G A | B G B | c F2- | F2 F |$ B A B |<br> | ||

+ | c B c | d3- | d2 d | c B A | G A G/F/ | D E F | G A A | F G E | D2 |]<br> | ||

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[[File:GB-7a-4A.xml]] | [[File:GB-7a-4A.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:4<br> | ||

+ | T:GB/7a/4A Green Mossy Banks of the Lea Version 2 of 4<br> | ||

+ | C:Sung by Mr Lockly (c. 80); sexton at High Ercall, Salop. III. 08<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:3/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Ddor<br> | ||

+ | A, | D D E | F G/F/ D | C !fermata!D F/G/ | A c A | G E/D/ C | D2 :| A | c B A | A/G/ E ^F |<br> | ||

+ | G !fermata!A A/G/ |$ F E D | D A, B, | C2 (3A,/B,/C/ | D D E | F G/F/ D | C !fermata!D F/G/ |<br> | ||

+ | A c A | G E/D/ C | D2 |]<br> | ||

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[[File:GB-7a-4B.xml]] | [[File:GB-7a-4B.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:4<br> | ||

+ | T:GB/7a/4B Green Mossy Banks of the Lea<br> | ||

+ | T:Version 3 of 4<br> | ||

+ | C:Mr James Landamore (c. 70) Wroxham, Norfolk IV. 10<br> | ||

+ | P:FW J(ekyll) & GSK B(utterworth)<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:3/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Ddor<br> | ||

+ | D | F A A | G F D | C !fermata!D D | F A A |$ G F E | D2 :| D | F G A | c A A |$ d !fermata!d D |<br> | ||

+ | F G A | c A c | d2 d | c A A |$ G F D | C !fermata!D D/E/ | F D E | A, D3/2 C/ | D2 |]<br> | ||

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[[File:GB-7a-4C.xml]] | [[File:GB-7a-4C.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:4<br> | ||

+ | T:GB/7a/4C Green Mossy Banks of the Lea<br> | ||

+ | T:Version 4 of 4<br> | ||

+ | C:Mr George Locke (c. 70) Rollesby, Norfolk X. 10<br> | ||

+ | P:R V(aughan) W(illiams) & GSK B(utterworth)<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:3/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Ddor<br> | ||

+ | D/E/ |"^(a)" F G A | c A c | d D2- | D2 D/E/ | F G A/>B/ |"^(b)" c/B/ A/B/ c |$ d2 d |<br> | ||

+ | "^(c)" c B A | F G A | C D D/>E/ | A A/B/ c | F G/F/ E | D2 |]$"^(a) var. 1" F E D | c/B/ A/B/ c ||<br> | ||

+ | "^(a) var. 2" F/E/ D A/B/ ||"^(b) var." c/B/ A c | d2 d/>B/ ||$"^(c) var. 1" d B A/G/ | G A G/E/ ||<br> | ||

+ | "^(c) var. 2" d B A | G A G/E/ ||"^(c) var. 3" c B A/G/ | F A G/E/ ||<br> | ||

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[[File:GB-7a-5.xml]] | [[File:GB-7a-5.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:5<br> | ||

+ | T:GB/7a/5 'Twas of a Brisk and Lively Lad Version 1 of 3<br> | ||

+ | C:Mr Ned Harding (c. 50), Lower Beeding, Sussex VI. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:4/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:A<br> | ||

+ | E | E A G A | B c/d/ e e | B/c/ d B B | A3 :| c/d/ | e f e3/2 A/ |$ A F E (3c/d/e/ | f e d/c/ B |<br> | ||

+ | A G E F/G/ | A3/2 F/ G A | B c/d/ e e | B/c/ d B B | A3 |]<br> | ||

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[[File:GB-7a-6.xml]] | [[File:GB-7a-6.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:6<br> | ||

+ | T:GB/7a/6 'Twas of a Brisk and Lively Lad<br> | ||

+ | T:Version 2 of 3<br> | ||

+ | C:Mr. Cranstone (c. 50) and Mrs. Cranstone (see GB/7a/3), Billingshurst VI. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/8<br> | ||

+ | M:4/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:A<br> | ||

+ | A2 | d3 d c2 B2 | c2 AG F2 z c | d2 BG A2 BG | E4 EFGE |$ A3 F G2 A2 |"^(a)" B4 c2 e2 |<br> | ||

+ | d2 c2 B2 B2 | A6 |]"^(a) var." B2 cB A2 ce |<br> | ||

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[[File:GB-7a-7.xml]] | [[File:GB-7a-7.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:7<br> | ||

+ | T:GB/7a/7 'Twas of a Brisk and Lively Lad Version 3 of 3 | ||

+ | C:Mr Edwin Spooner (c. 70), Midhurst Union, XI. 08<br> | ||

+ | P:GSK B(utterworth) & FW J(ekyll)<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:4/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:A<br> | ||

+ | E | A3/2 F/ G A | B3/2 c/ A !fermata!e | d c B B | A3 :| A | e3/2 d/ !fermata!c B |$<br> | ||

+ | "^(a)" c A/G/ !fermata!F c/e/ | d c B/A/ B | E2 E F/G/ | A2 F G/A/ | B2 c e | d c B/A/ B | A3 |]<br> | ||

+ | "^(a) var." c A/G/ !fermata!F c |<br> | ||

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[[File:GB-7a-8.xml]] | [[File:GB-7a-8.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:8<br> | ||

+ | T:GB/7a/8 Just As the Tide Was Flowing<br> | ||

+ | T:Version 1 of 3<br> | ||

+ | C:Mr Weekes (c. 80) Ticehurst, Kent IV, 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/8<br> | ||

+ | M:4/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:F<br> | ||

+ | AG | F2 D2 D2 C2 | F2 F2 G2 FG | A2 c2 BAGF | D3 E F2 :| AB | c3 A d3 A |$ B2 G2 c3 B |<br> | ||

+ | A2 A2 G2 FG | A2 C2 !fermata!C2 AG | F2 D2 D2 C2 | F2 F2 G2 F2 | A2 c2 BAGF | D3 E F2 |]<br> | ||

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[[File:GB-7a-9.xml]] | [[File:GB-7a-9.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:9<br> | ||

+ | T:GB/7a/9 Just as the Tide was Flowing Version 2 of 3<br> | ||

+ | C:Mr Standing (c. 70), Washington, Sussex XII. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/8<br> | ||

+ | M:4/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:F<br> | ||

+ | AG | GF D2 C2 DE |"^(a)" F2 F2 G2 F2 | d2 dc A2 GF | D3 E F2 :| c2 | c2 c2 dcAG |<br> | ||

+ | FA c2 !fermata!d2 dc |$ A2 A2 G2 AG | GF D2 !fermata!C2 AG | GF D2 C2 DE | F2 F2 G2 FG |<br> | ||

+ | d2 dc A2 GF | D3 E F2 |]"^(a) var." F2 F2 G2 FG |<br> | ||

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[[File:GB-7a-10.xml]] | [[File:GB-7a-10.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:10<br> | ||

+ | T:GB/7a/10 Just As the Tide Was Flowing<br> | ||

+ | T:Version 3 of 3<br> | ||

+ | C:Mr George Locke (c. 70) Rollerby, Norfolk, X. 10<br> | ||

+ | P:R V(aughan) W(illiams) & GSK B(utterworth)<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/8<br> | ||

+ | M:2/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:F<br> | ||

+ | "^(a)" A3 G |[M:4/4] F2 E2 D2 C2 |"^(b)" F2 F2 GA B2 |"^(c)" c3 B AGFE |"^(d)" D3 E F2 A2 |<br> | ||

+ | G2 F2 D2 C2 |$ FE F2 G2 AB | c3 B AGFE | D3 E F2"^(e)" z F | F2 A2 cA F2 | d2 c2 !fermata!c2 c2 |<br> | ||

+ | d2 c2 AG F2 |$ AG"^(f)" A2 D4 |[M:2/4] A3 G |[M:4/4] F2 E2 D2 C2 | F2 F2 GA B2 | c3 B AGFc |<br> | ||

+ | "^(g)" c2 c2 cA !fermata!F2 |]$[M:2/8]"^(a) var." AG ||[M:4/4]"^(b) var." G2 AB GA B2 ||<br> | ||

+ | "^(c) var." c2 c2 A2 F2 ||"^(d) var." DE F2 F2 A2 ||$"^(e) var." D3 E F2 c2 | c2 c2 cA F2 ||<br> | ||

+ | "^(f) var." AGAF D4 ||"^(g) var." c3 c cA !fermata!F2 ||<br> | ||

''Notes on GB/7a/10'' There is some uncertainty over this transcription, which was derived from the scanned image on the ''Take 6'' website. Further reference to the original MS is needed, since part of the scan is illegible and/or unclear. | ''Notes on GB/7a/10'' There is some uncertainty over this transcription, which was derived from the scanned image on the ''Take 6'' website. Further reference to the original MS is needed, since part of the scan is illegible and/or unclear. | ||

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[[File:GB-7a-11.xml]] | [[File:GB-7a-11.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:11<br> | ||

+ | T: GB/7a/11 God Rest You Merry<br> | ||

+ | T: Version 1 of 2<br> | ||

+ | C: Mr. Lockly (c.80), High Ercall, Salop, III. 08<br> | ||

+ | P: GSK B(utterworth)<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | W: There are slight variations in the notation and the headers, but the melody is identical to that of GB/6a/74.<br> | ||

+ | W: There, however, the informant's surname is spelt "Lockley."<br> | ||

+ | L:1/4<br> | ||

+ | M:4/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Edor<br> | ||

+ | D | E B B A | G F E D | A A A/B/ ^c | B3 :| d | c/B/ A A B/c/ | d c A B/A/ | F E E/F/ G |$<br> | ||

+ | A2 G A | e2 d e | B A G F | E2 E/F/ G | A2 F/G/ A | e2 d e | B A G F | E3 |]<br> | ||

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T:GB/7a/12 God Rest You Merry Version 2 of 2<br> | T:GB/7a/12 God Rest You Merry Version 2 of 2<br> | ||

C:Mrs Cranstone, August, 1911<br> | C:Mrs Cranstone, August, 1911<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

Q:1/4=120<br> | Q:1/4=120<br> | ||

M:C<br> | M:C<br> | ||

Line 178: | Line 447: | ||

E2 |E2 B2 B2 A2 |G2 F2 E2 D2 |E2 F2 G2 A2 |B6 :|Bc |<br> | E2 |E2 B2 B2 A2 |G2 F2 E2 D2 |E2 F2 G2 A2 |B6 :|Bc |<br> | ||

d3 F F2 G2 |A2 A2 G2 A2 |d2 d2 F2 G2 |A4 G2 A2 |B2 d2 cB A2 |B2 A2 G2 F2 |<br> | d3 F F2 G2 |A2 A2 G2 A2 |d2 d2 F2 G2 |A4 G2 A2 |B2 d2 cB A2 |B2 A2 G2 F2 |<br> | ||

− | E2 F2 G2 E2 |A4 G2 A2 |B2 d2 cB A2 |B2 A2 G2 F2 |E6 |] | + | E2 F2 G2 E2 |A4 G2 A2 |B2 d2 cB A2 |B2 A2 G2 F2 |E6 |]<br> |

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[[File:GB-7a-13.xml]] | [[File:GB-7a-13.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:13<br> | ||

+ | T:GB/7a/13 The Bold Thresherman Version 1 of 3<br> | ||

+ | C:Mr. Ned Harding, (c.50) Lower Beeding Sussex, VI. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:4/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Fdor<br> | ||

+ | F | F c B G | E2 F G | B2 A G | F3 F | B2 c d |$ e2 c c | c f e d | c3 F | B2 c d | e2 c c |<br> | ||

+ | c f e d |$ c B G F | B2 A F | E2 F G | B2 A G | F4 |]<br> | ||

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[[File:GB-7a-14.xml]] | [[File:GB-7a-14.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:14<br> | ||

+ | T:GB/7a/14 The Bold Thresherman Version 2 of 3<br> | ||

+ | C:Mr. Netley (c.60) Nutbourne, Sussex, VI. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:4/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Fmix<br> | ||

+ | c | c2 B G | E2 F G | B2 G A/G/ | F3 F | B A B c/d/ |$ e2 c c | f f e d | c3 F | B A B c/d/ |<br> | ||

+ | e2 c c |$ f f e f | c B A F | c2 B G | E2 F G/A/ | B2 G A/G/ | F3 |]<br> | ||

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[[File:GB-7a-15.xml]] | [[File:GB-7a-15.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:15<br> | ||

+ | T:GB/7a/15 The Bold Thresherman Version 3 of 3<br> | ||

+ | C:Mrs Verrall, to 'Polly Oliver' X. 10<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:4/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Gmix<br> | ||

+ | G | d2 c A | F2 G B | c2 A B | G3 G | G2 B c |$ d2 e f |"^(a)" g2 f g | d3 G | A2 B c | d2 e f |<br> | ||

+ | g2 f g |$ d c B c | d2 c A | F2 G A | c c B A | G3 |$"^(a) var." g2 e f |]<br> | ||

Line 215: | Line 523: | ||

[[File:GB-7a-16.xml]] | [[File:GB-7a-16.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:16<br> | ||

+ | T:GB/7a/16 Come All You Little Irish Girls<br> | ||

+ | T:Version 1 of 2<br> | ||

+ | C:Mr Knight (c. 60) Horsham, IV. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/8<br> | ||

+ | M:3/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:G<br> | ||

+ | D2 | G2 B2 dd | cc B2 AG | FD G2 AB | G4 :| AB |[M:4/4] c>B c4 BG | B>B B4 GB |$<br> | ||

+ | [M:3/4] d2 dd c>B | A>B c2 BA |[M:4/4] GG D4 dd |[M:3/4] cc BB AG | FD G2 AB | G4 |]<br> | ||

Line 224: | Line 546: | ||

[[File:GB-7a-17.xml]] | [[File:GB-7a-17.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:17<br> | ||

+ | T:GB/7a/17 Come All You Little Irish Girls<br> | ||

+ | T:Version 2 of 2<br> | ||

+ | C:Mr Tom Anstey, Beckley, Oxon., V. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/8<br> | ||

+ | M:3/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:G<br> | ||

+ | D2 | G2 D2 Bd | dd c2 BB | A>G E2 F2 | G4 :| (3GAB |[M:4/4] c>B c4 D2 | B>A B4 G>B |$<br> | ||

+ | [M:3/4] d2 c2 B2 | A>B c2 B>A |[M:4/4] GG D4 B>d |[M:3/4] de c2 BA | AG E2 F2 | G4 |]<br> | ||

Line 233: | Line 569: | ||

[[File:GB-7a-18.xml]] | [[File:GB-7a-18.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:18<br> | ||

+ | T:GB/7a/18 Murder of Maria Marten<br> | ||

+ | T:Version 1 of 2<br> | ||

+ | C:Mr Jim Wharton (c. 60) Stanton St. John, Oxon. V. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/8<br> | ||

+ | M:4/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Faeo<br> | ||

+ | cd | e2 c2 cB A2 | B2 B2 c2 Bd | c2 B2 BA F2 | E6 AG |$ F2 F2 FEFG | A2 A2 B2 AB | c3 A BA FE |<br> | ||

+ | F6 |]<br> | ||

Line 242: | Line 592: | ||

[[File:GB-7a-19.xml]] | [[File:GB-7a-19.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:19<br> | ||

+ | T:GB/7a/19 Murder of Maria Marten<br> | ||

+ | T:Version 2 of 2<br> | ||

+ | C:Mrs Keble (84) Shadingfield, Suffolk. X. 10<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:4/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Faeo<br> | ||

+ | c/d/ | e c c/B/ A | B B c B | c F F/E/ C/D/ | E3 C |$ F F F E | A A B A/B/ | c3/2 A/ B/A/ F |<br> | ||

+ | F3 |]<br> | ||

Line 251: | Line 615: | ||

[[File:GB-7a-20.xml]] | [[File:GB-7a-20.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:20<br> | ||

+ | T:GB/7a/20 Green Bushes Version 1 of 3<br> | ||

+ | C:Mr Puttock (c. 80), Sutton, Pulborough, VII. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:3/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Fdor<br> | ||

+ | A/G/ | F F G/F/ | E F G | c c/B/ G | E F G | F F G/F/ | E F G | c e d | c2 B |$ c c f | c e d/c/ |<br> | ||

+ | B F G | E F G | F3/2 A/ G | E F (3G/A/B/ | c c/B/ G | F2 |]<br> | ||

''Notes on GB/7a/20'' The key signature has changed, but the tune is identical to that of GB/6a/79. | ''Notes on GB/7a/20'' The key signature has changed, but the tune is identical to that of GB/6a/79. | ||

Line 262: | Line 639: | ||

[[File:GB-7a-21.xml]] | [[File:GB-7a-21.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:21<br> | ||

+ | T:GB/7a/21 Green Bushes Version 2 of 3<br> | ||

+ | C:Mr Cranstone (c. 50), Wood Dale, Billingshurst, VII. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:3/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Fdor<br> | ||

+ | C | F F G/F/ | E F c | c c/B/ G | F2 C | F F G/F/ | E F c | c d/c/ B | c2 B |$ c c f | c d e |<br> | ||

+ | G B G | E F G | F3/2 G/ A | E F G | c c/B/ G | F2 |]<br> | ||

''Notes on GB/7a/21'' The key signature has changed, but the tune is identical to that of GB/6a/80. | ''Notes on GB/7a/21'' The key signature has changed, but the tune is identical to that of GB/6a/80. | ||

Line 273: | Line 663: | ||

[[File:GB-7a-22.xml]] | [[File:GB-7a-22.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:22<br> | ||

+ | T:GB/7a/22 Green Bushes Version 3 of 3<br> | ||

+ | C:Mr Spooner (c.70) Midhurst Union, XI. 08<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:3/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Fmix<br> | ||

+ | C | F F G | E F A/B/ | c c/B/ G | E F G/E/ | F F G/F/ | E F A/B/ | c e d | c2 A/B/ |$ c c f |<br> | ||

+ | c d e | G B G/F/ | E F G/E/ | F3/2 F/ G/F/ | E F A/B/ | c c/B/ G | F2 |]<br> | ||

''Notes on GB/7a/22'' The key signature has changed, but the tune is identical to that of GB/6a/82. | ''Notes on GB/7a/22'' The key signature has changed, but the tune is identical to that of GB/6a/82. | ||

Line 284: | Line 687: | ||

[[File:GB-7a-23.xml]] | [[File:GB-7a-23.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:23<br> | ||

+ | T:GB/7a/23 Spanish Ladies Version 1 of 3<br> | ||

+ | C:Mr Cooper (c.40), Washington, Sussex, XII. 07<br> | ||

+ | P:F.W. J(ekyll) & G.S.K. B(utterworth)<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:3/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Aaeo<br> | ||

+ | E | A A E | A2 A/B/ | c B A |"^(a)" A !fermata!E E | A A E | A2 A/B/ | c d B | A2 A |$ c B c |<br> | ||

+ | d c d | e c A | A !fermata!E !fermata!e/ d/ | c B A | A/G/ E D | E c B | A2"^(a) var." |]<br> | ||

+ | G !fermata!E E |<br> | ||

Line 293: | Line 711: | ||

[[File:GB-7a-24.xml]] | [[File:GB-7a-24.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:24<br> | ||

+ | T:GB/7a/24 Spanish Ladies Version 2 of 3<br> | ||

+ | C:Mr. Verral (Journal 8) Horsham,l VI. 09<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:3/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:G<br> | ||

+ | A |: E A3/2 G/ | A2 A/B/ |1 c B A || A/G/ E A :|2 c d B || A2 A/B/ | c B A |$ d c d | e A3/2 B/ |<br> | ||

+ | A/G/ E2 | z !fermata!e3/2 d/ | c B A | G F D | E c B | A2 |]<br> | ||

''Notes on GB/7a/24'' The key signature has changed, but the tune is identical to that of GB/6a/159. | ''Notes on GB/7a/24'' The key signature has changed, but the tune is identical to that of GB/6a/159. | ||

Line 304: | Line 735: | ||

[[File:GB-7a-25.xml]] | [[File:GB-7a-25.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:25<br> | ||

+ | T:GB/7a/25 Spanish Ladies Version 3 of 3<br> | ||

+ | C:At Winterton, Norfolk, 3.13, by a young sailor<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:3/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Aaeo<br> | ||

+ | (3E/F/G/ | A A B | A ^G A/>B/ | c d B | A/>=G/ !fermata!E (3E/F/G/ | A A B |$ A2 A/>B/ |<br> | ||

+ | c d c/A/ | B2 A/B/ | c B A | d ^c d/>"^?"^f/ | e A B |$ A/>G/ !fermata!E !fermata!e/>d/ | c B A |<br> | ||

+ | B E D | E c B | A2 |]<br> | ||

Line 313: | Line 758: | ||

[[File:GB-7a-26.xml]] | [[File:GB-7a-26.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:26<br> | ||

+ | T:GB/7a/26 As I Roamed Out One Midsummer's Morning<br> | ||

+ | T:Version 1 of 2<br> | ||

+ | C:Mrs. Whiting (see p. 1 Newport, Mon. IV. 08)<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:4/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Dm<br> | ||

+ | "^Rather fast" A, | D3/2 C/ D E |"^(a)" F G E D | G F G/A/ B | A2 D A, | D C D E |$ F2 E D |<br> | ||

+ | G3/2 F/ G B | A3 A | d2 c A | G2 F/G/A/=B/ | c =B c/B/A/G/ |$ F D C A, |"^(b)" D3/2 F/ D E |<br> | ||

+ | F A c d/c/ | A3/2 G/ F/D/ E | D3 |]$"^variants (a)" F2 F A | c =B c/B/A/G/ | F D C"^Etc" A, ||<br> | ||

+ | "^(b)" D3/2 F/ E D | c c d/c/A/G/ | F D E F/E/ | D3 |]<br> | ||

''Notes on GB/7a/26'' The key signature has changed, and there are minor notational differences, but the tune is identical to that of GB/6a/5. | ''Notes on GB/7a/26'' The key signature has changed, and there are minor notational differences, but the tune is identical to that of GB/6a/5. | ||

Line 324: | Line 785: | ||

[[File:GB-7a-27.xml]] | [[File:GB-7a-27.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:27<br> | ||

+ | T:GB/7a/27 As I Roamed Out One Midsummer's Morning<br> | ||

+ | T:Version 2 of 2<br> | ||

+ | C:Mr. Smith (see p. 1) Newport, Mon. IV. 08.<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:4/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Daeo<br> | ||

+ | "^Slower (i.e. than GB/7a/26) Free rhythm" D | D3/2 C/ D E | F G E D | G3/2 F/ G B |<br> | ||

+ | A2 !fermata!D D | D3/2 C/ D E |$ F G E D | G3/2 F/ G B | A3 A | d2 c A | G2 F A | c e d/c/A/G/ |$<br> | ||

+ | F A !fermata!C C | D3/2 C/ D E | F A c d | A G F E | D3 |]<br> | ||

''Notes on GB/7a/27'' The tune is described here as in "free rhythm" but is otherwise identical to that of GB/6a/6. | ''Notes on GB/7a/27'' The tune is described here as in "free rhythm" but is otherwise identical to that of GB/6a/6. | ||

Line 335: | Line 811: | ||

[[File:GB-7a-28.xml]] | [[File:GB-7a-28.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:28<br> | ||

+ | T:GB/7a/28 Banks of Sweet Primroses, The<br> | ||

+ | T:Version 1 of 2<br> | ||

+ | C:Battle Workhouse, Sussex, IV. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/8<br> | ||

+ | M:3/2<br> | ||

+ | I:linebreak $<br> | ||

+ | K:G<br> | ||

+ | D2 | G2 D2 G6 AB | cBAG G4 D2 B2 | d2 e2 d4 G3 E | F2 G2 A4 z2 AB |$"^(a)" cded d4 G3 A |<br> | ||

+ | B2 A2 G4 D2 A2 | GFED G2 B2 d2 c2 | B2 A2 G6 |]$"^(a) var." c2 e2 d4 G3 A |<br> | ||

Line 344: | Line 834: | ||

[[File:GB-7a-29.xml]] | [[File:GB-7a-29.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:29<br> | ||

+ | T:GB/7a/29 Banks of Sweet Primroses, The<br> | ||

+ | T:Version 2 of 2<br> | ||

+ | C:Shoreham Workhouse, Sussex, I. 09<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:3/2<br> | ||

+ | I:linebreak $<br> | ||

+ | K:G<br> | ||

+ | D | G F G3 A/B/ | c A F D z B | c c B3/2 A/ G E | F G A2 z B |$ c e d2 G A | B A G2 D A/G/ |<br> | ||

+ | [M:5/4] F D G d c |[M:3/4] B/G/ A A | G2 |]<br> | ||

Line 353: | Line 857: | ||

[[File:GB-7a-30.xml]] | [[File:GB-7a-30.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:30<br> | ||

+ | T:GB/7a/30 Henry Martin Version 1 of 3<br> | ||

+ | C:Mr Jack Feast (c. 50), Lower Beeding, Sussex, VI. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:3/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Dmix<br> | ||

+ | G | A2 B | G2 A | G E F | D2 G |"^(a)" A B c | d c d | A2 G |$ A d d | c2 B | c B A | G3/2 E/ D |<br> | ||

+ | c d B | A G E/F/ | D2 |]$"^(a) var." G | A c B | c d B | A2 |<br> | ||

''Notes on GB/7a/30'' The key signature has changed, but the tune is identical to that of GB/6a/87. | ''Notes on GB/7a/30'' The key signature has changed, but the tune is identical to that of GB/6a/87. | ||

Line 364: | Line 881: | ||

[[File:GB-7a-31.xml]] | [[File:GB-7a-31.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:31<br> | ||

+ | T:GB/7a/31 Henry Martin Version 2 of 3<br> | ||

+ | C:Mr Henry Akhurst (c. 70), Lower Beeding, Sussex, VI. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:3/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:D<br> | ||

+ | A | D2 B | A2 B | A E F/E/ | D2 D | F G A | d c B | A2 A | d A B |$ =c B A | A D E | F3/2 E/ D |<br> | ||

+ | G3/2 A/ B | A2 F/G/ | A d A/B/ | A F E | D2 |]<br> | ||

''Notes on GB/7a/31'' The tune is identical to that of GB/6a/88. | ''Notes on GB/7a/31'' The tune is identical to that of GB/6a/88. | ||

Line 375: | Line 905: | ||

[[File:GB-7a-32.xml]] | [[File:GB-7a-32.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:32<br> | ||

+ | T:GB/7a/32 Henry Martin Version 3 of 3<br> | ||

+ | C:Mr G. Hillman, Shoreham Workhouse, Sussex, I. 09<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:3/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Ddor<br> | ||

+ | A | F E D | A3/2 B/ A | G E C | D2 G |"^(a)" A2 A | c B G | A3- | A2 G |$ A A d | c B A | A D E |<br> | ||

+ | F2 F | G3- | G2 F/G/ |"^(b)" A3/2 c/ A | G F E | D2 |]$"^(a) var.i" A B c | d c B | A3 ||<br> | ||

+ | "^(a) var.ii" A B c | d B c | A3 ||"^(b) var." A3/2 B/ A | G E F | D2 ||<br> | ||

''Notes on GB/7a/32'' The key signature has changed, but the tune is identical to that of GB/6a/90. | ''Notes on GB/7a/32'' The key signature has changed, but the tune is identical to that of GB/6a/90. | ||

Line 386: | Line 930: | ||

[[File:GB-7a-33.xml]] | [[File:GB-7a-33.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:33<br> | ||

+ | T:GB/7a/33 Tarry Trowsers Version 1 of 2<br> | ||

+ | C:Mrs Verrall (Journal 8) Horsham XI. 08<br> | ||

+ | P:F.W. J(ekyll).<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:2/2<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Edor<br> | ||

+ | E E B B | G E F D | E E/F/ G G | A A B2 | B B/c/ d e |"^(a)" A/A/A/A/ c d | G E d B | A B E2 |]$<br> | ||

+ | "^(a) var." A A c d |<br> | ||

Line 395: | Line 953: | ||

[[File:GB-7a-33B.xml]] | [[File:GB-7a-33B.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:33<br> | ||

+ | T:GB/7a/33B Salisbury Plain Version 3 of 3<br> | ||

+ | C:Mr Ruff (c. 60), Sutton, Petworth, VII. 09<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:4/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Ddor<br> | ||

+ | F/G/ | A F E D | A2 G/F/ E | D2 A3/2 B/ | c A F A/B/ | c2 d c | A2 A B |$ c A F A |"^(a)" c2 d E |<br> | ||

+ | F E D C | c c d c | A2 G F | D3 |]$"^(a) var." c2 d D |<br> | ||

''Notes on GB/7a/33B'' The key signature has changed, but the tune is identical to that of GB/6a/147. For Versions 1 and 2 of Salisbury Plain see GB/7a/72 and GB/7a/73 below. | ''Notes on GB/7a/33B'' The key signature has changed, but the tune is identical to that of GB/6a/147. For Versions 1 and 2 of Salisbury Plain see GB/7a/72 and GB/7a/73 below. | ||

Line 406: | Line 977: | ||

[[File:GB-7a-34.xml]] | [[File:GB-7a-34.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:34<br> | ||

+ | T:GB/7a/34 Tarry Trowsers<br> | ||

+ | C:Mrs Powell, Minster, Sheppey, VIII.10<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/8<br> | ||

+ | Q:1/4=90<br> | ||

+ | M:4/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Em<br> | ||

+ | E | E2 B>B B>AG>A | B2 (3BAG A>GE>E | A3 B AG EF | G2 A2 B4 |"^(a)" E>F G>A Be !fermata!e>d |$<br> | ||

+ | A2 A>G FA !fermata!d2 | G2 FE (3B2 B2 A2 | G2 F2 E4 || E | E2 B>B B>AG>A | B2 (3BAG A>GE>E |$<br> | ||

+ | A3 B AG EF | G2 A2 B4 |"^(a) var." E>F G>A Be !fermata!e/d/^c | A2 A>G FA !fermata!d2 |<br> | ||

+ | G2 FE (3B2 B2 A2 | G2 F2 E4 |]<br> | ||

Line 415: | Line 1,002: | ||

[[File:GB-7a-35.xml]] | [[File:GB-7a-35.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:35<br> | ||

+ | T:GB/7a/35 Banks of Green Willow Version 1 of 2<br> | ||

+ | C:Mr. and Mrs. Cranstone (p. 4), Billingshurst, VI. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/8<br> | ||

+ | M:3/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:A<br> | ||

+ | AB | c3 d B>c | A>B E2 AG | F2 D2 B2 |"^(a)" BG !fermata!E2 EA |$ A2 E2 C>B, | A,>C E2 E2 |<br> | ||

+ | F2 d2 B2 | cB A2 |]$"^(a) var." BG !fermata!E2 FG |<br> | ||

Line 424: | Line 1,024: | ||

[[File:GB-7a-36.xml]] | [[File:GB-7a-36.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:36<br> | ||

+ | T:GB/7a/36 Banks of Green Willow Version 2 of 2<br> | ||

+ | T:Mr. Cornford, East Chiltington, Sussex, VII. 08<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/8<br> | ||

+ | M:3/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:A<br> | ||

+ | A>B | c2 A2 B2 | A>G E>F =G>A | F>E D>F A2 | A2 E2 (3EF=G |$ A3 =G E>D | B,>C D2 D>D | E2 B3 E |<br> | ||

+ | FG A2 |]<br> | ||

''Notes on GB/7a/36'' The tune is identical to that of GB/6a/10. | ''Notes on GB/7a/36'' The tune is identical to that of GB/6a/10. | ||

Line 435: | Line 1,048: | ||

[[File:GB-7a-37.xml]] | [[File:GB-7a-37.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:37<br> | ||

+ | T:GB/7a/37 Barbara Allen Version 1 of 3<br> | ||

+ | C:Mr. Morley, Wartling, Sussex, IV. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:5/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:G<br> | ||

+ | D | B B B2 A | G A E2 D | G B d2 B | c d z z d | e e d2 B |$<br> | ||

+ | c d/c/ G2"^For the love of Barbara Allen Allen for love" A/ A/ |<br> | ||

+ | B c A2 D |[M:3/2] G A B d z c |[M:5/4] B c A2 D | G G- G2 |]<br> | ||

Line 444: | Line 1,071: | ||

[[File:GB-7a-38.xml]] | [[File:GB-7a-38.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:38<br> | ||

+ | T:GB/7a/38 Barbara Allen Version 2 of 3<br> | ||

+ | C:Mr. Henry Webb (c. 70), Stanton St. John, Oxon. V. 07.<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:5/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:G<br> | ||

+ | G | G B d2 B | B A G2 d | e a g2 e | f d z z d |$ g f e2 d | e d B c d | e d B2 G | A G- G2 |]<br> | ||

Line 453: | Line 1,092: | ||

[[File:GB-7a-39.xml]] | [[File:GB-7a-39.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:39<br> | ||

+ | T:GB/7a/39 Barbara Allen Version 3 of 3<br> | ||

+ | C:Mr. Dearling (c. 50), West Burton, Sussex, XII. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:5/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:G<br> | ||

+ | D | G B A2 D | G B A2 G/A/ | B B B A G | B/c/ d z z d |$ e d B A G/A/ | B G/F/ E2 F/G/ |<br> | ||

+ | A A F E D | E/F/ G- G2 |]<br> | ||

Line 462: | Line 1,114: | ||

[[File:GB-7a-40.xml]] | [[File:GB-7a-40.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:40<br> | ||

+ | T:GB/7a/40 The Bold Fisherman Version 1 of 3<br> | ||

+ | T:Mr. Spooner c. 70), Midhurst Workhouse XII. 08<br> | ||

+ | T:F.W. J(ekyll) & G.S.K. B(utterworth)<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:5/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:G<br> | ||

+ | D | G G E F G | A A D2 D | G G A G A |[M:3/4] B2 B/c/ |$[M:5/4] d B A G A | B B E F G |<br> | ||

+ | A A D F A | G2- G2 D | G G A G A |$[M:3/4] B2 B/c/ |[M:5/4] d B A G A | B B E F G | A A D F A |<br> | ||

+ | G2- G2 |]<br> | ||

''Notes on GB/7a/40'' The tune is identical to that of GB/6a/23. | ''Notes on GB/7a/40'' The tune is identical to that of GB/6a/23. | ||

Line 473: | Line 1,140: | ||

[[File:GB-7a-41.xml]] | [[File:GB-7a-41.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:41<br> | ||

+ | T:GB/7a/41 The Bold Fisherman Version 2 of 3<br> | ||

+ | C:Mr. Locke (c. 70) Rollesby, Norfolk, IV. 10<br> | ||

+ | P:F.W. (Jekyll) & G.S.K. B(utterworth)<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/8<br> | ||

+ | M:5/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:G<br> | ||

+ | D2 | B2 B2 (3BcB A2 G2 | E2 E2 E4 D2 |[M:4/4]"^(a)" G3 A BABc |[M:3/4] d4 d2 |$<br> | ||

+ | [M:5/4] e2 d2 (3BcB A2 G2 | d2 c2 E3 F G2 | c2 B2 D3 E F2 | G4- G4 |]$"^(a) var." G3 A BG Bd |<br> | ||

Line 482: | Line 1,163: | ||

[[File:GB-7a-42.xml]] | [[File:GB-7a-42.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:42<br> | ||

+ | T:GB/7a/42 The Bold Fisherman Version 3 of 3<br> | ||

+ | C:Workhouse, Minster, Kent, IX. 10<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:5/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:G<br> | ||

+ | D |"^(a)" G G E F G | A A D2 D | G G A G A |[M:3/4] B2 B/c/ |[M:5/4] d B A G A |$<br> | ||

+ | B/A/ G E !fermata!D G | A/B/ c D F A |[M:3/4] G2 D |[M:5/4] G G A G A |[M:3/4] B2 B/c/ |$<br> | ||

+ | [M:5/4] d B A G A | B/A/G/F/ E !fermata!D G | A/B/ c D F A | G2- G2 |]$"^(a) var." G G/F/ E F G |]<br> | ||

Line 491: | Line 1,186: | ||

[[File:GB-7a-43.xml]] | [[File:GB-7a-43.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:43<br> | ||

+ | T:GB/7a/43 You Seamen Bold that Plough the Ocean<br> | ||

+ | T:Version 1 of 4<br> | ||

+ | C:Mr H. Akhurst (c. 70), Lower Beeding, Sussex VI. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:5/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:G<br> | ||

+ | d | G F G A B | c B A B c | d e =f d3/2 c/ | B A G2 d | G F G A B |$ c B A B c | d g d3/2 c/ B |<br> | ||

+ | A A G2 G | d e =f2 d |[M:6/4] =f g f/e/ d z g |[M:5/4] =f e d3/2 c/ B |$ c d A2 d | G F G A B |<br> | ||

+ | c B A B c | d g d3/2 c/ B | A A G2 |]<br> | ||

Line 500: | Line 1,210: | ||

[[File:GB-7a-44.xml]] | [[File:GB-7a-44.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:44<br> | ||

+ | T:GB/7a/44 You Seamen Bold that Plough the Ocean<br> | ||

+ | T:Version 2 of 4<br> | ||

+ | C:Mr. Harwood, Watersfield, Pulborough, VII. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:5/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Gdor<br> | ||

+ | d | G F G2 A |[M:6/4] B G !breath!A B- B c | d g f2 d3/2 c/ | A B G2 :| G/A/ |$[M:5/4] B f f2 d |<br> | ||

+ | [M:6/4] g g !breath!f d- d d |[M:5/4] g g f e d | d/c/B/c/ d2 d |$ G F G2 A |<br> | ||

+ | [M:6/4] B G !breath!A B- B c | d g f2 d3/2 c/ | B A G2 |]<br> | ||

Line 509: | Line 1,234: | ||

[[File:GB-7a-45.xml]] | [[File:GB-7a-45.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:45<br> | ||

+ | T:GB/7a/45 You Seamen Bold that Plough the Ocean<br> | ||

+ | T:Version 3 of 4<br> | ||

+ | C:Mr Dearling (c. 50), West Burton, Sussex, VII. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:5/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Gdor<br> | ||

+ | d | G F G2 G/A/ | B G A B c | d g f d c/B/ | A B G2 :| G/A/ |$ B/c/d/e/ f2 d |<br> | ||

+ | [M:6/4] g g f/e/ d- d g |[M:5/4] g g f e d |[M:4/4] d B/c/ d d |$[M:5/4] G F G2 G/A/ |<br> | ||

+ | [M:4/4] B A/G/ A/B/ c | d g f d/c/ | A B G2 |]<br> | ||

Line 518: | Line 1,258: | ||

[[File:GB-7a-46.xml]] | [[File:GB-7a-46.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:46<br> | ||

+ | T:GB/7a/46 You Seamen Bold Who Plough the Ocean<br> | ||

+ | T:Version 4 of 4<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:5/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:G<br> | ||

+ | D | G F G2 G/A/ |"^? " B c/B/ A B c | d g d2 c/B/ | A B G2 :| c |$ d e =f e d |<br> | ||

+ | [M:6/4] g g !breath!f (d3/2 e/) =f |[M:5/4] g g =f e d | c/d/ e d2 D |$ G F G2 G/A/ |<br> | ||

+ | B c/B/ A B c | d g d2 c/B/ | A B G2 |]<br> | ||

Line 527: | Line 1,281: | ||

[[File:GB-7a-47.xml]] | [[File:GB-7a-47.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:47<br> | ||

+ | T:GB/7a/47 The Trees They Do Grow High<br> | ||

+ | T:Version 1 of 3<br> | ||

+ | C:Mr Cranstone (c.50) Billingshurst, VI.07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/8<br> | ||

+ | Q:1/4=60<br> | ||

+ | M:2/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:A<br> | ||

+ | "^Slow" D2 | A2 AB | c2 B>G | A>G ED | E3 F | =GF GA | B2 A>F | D2 E>D | E3 E | c2 BA |$<br> | ||

+ | c/d/e- ed |[M:3/4] ce A3 B | AG E3 F |[M:2/4] =GA GE | D2 DD | E A3- | A4- | A2 |]<br> | ||

Line 540: | Line 1,309: | ||

[[File:GB-7a-48-var.xml]] | [[File:GB-7a-48-var.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:48<br> | ||

+ | T:GB/7a/48 The Trees They Do Grow High<br> | ||

+ | T:Version 2 of 3<br> | ||

+ | C:Mr William Smith, Stoke Lacey, Herefordshire, IX.07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/8<br> | ||

+ | Q:1/4=80<br> | ||

+ | M:4/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Ador<br> | ||

+ | "^Slow, freely" E2 | E3 A A2 B2 | c2 d4 G2 | A3 B AG E2 | G6 E2 | G2 E2 G3 E | GA B4 G2 |$<br> | ||

+ | A3 B AG F2 | E6 DD |"^(a)" E4 e2 d2 | GB d4 e2 | AB c2 BA G2 | E6 EF |$ G3 A GF E2 |<br> | ||

+ | [M:3/4] DD D3 D |[M:4/4] E A3- A4- | A2 z2 z2 || E2 | E3 A A2 B2 | c2 d4 G2 |$ A3 B AG E2 | G6 E2 |<br> | ||

+ | G2 E2 G3 E | GA B4 G2 | A3 B AG F2 | E6 DD |$"^(a) var. 1" E2 e2 d3 B | GB d4 e2 | AB c2 BA G2 |<br> | ||

+ | E6 EF | G3 A GF E2 |[M:3/4] DD D3 D |$[M:4/4] E A3- A4- | A2 z2 z2 || E2 | E3 A A2 B2 | c2 d4 G2 |<br> | ||

+ | A3 B AG E2 | G6 E2 |$ G2 E2 G3 E | GA B4 G2 | A3 B AG F2 | E6 DD |[M:3/4]"^(a) var. 2" D4 DD |<br> | ||

+ | [M:4/4] GB d4 e2 |$ AB c2 BA G2 | E6 EF | G3 A GF E2 |[M:3/4] DD D3 D |[M:4/4] E A3- A4- |<br> | ||

+ | A2 z2 z2 |]<br> | ||

''Notes on GB/7a/48'' The MIDI file ''GB-7a-48.mid'' plays out all the variants in full; the PDF file ''GB-7a-48-var.pdf'' displays all the variants in full; and the MusicXML file ''GB-7a-48-var.xml'' contains the full musical notation for all the variants. | ''Notes on GB/7a/48'' The MIDI file ''GB-7a-48.mid'' plays out all the variants in full; the PDF file ''GB-7a-48-var.pdf'' displays all the variants in full; and the MusicXML file ''GB-7a-48-var.xml'' contains the full musical notation for all the variants. | ||

Line 555: | Line 1,345: | ||

[[File:GB-7a-49-var.xml]] | [[File:GB-7a-49-var.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:49<br> | ||

+ | T:GB/7a/49 The Trees They Do Grow High<br> | ||

+ | T:Version 3 of 3<br> | ||

+ | C:Mrs Whiting (p1) Newport, Mon. IV.08<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/8<br> | ||

+ | Q:1/4=150<br> | ||

+ | M:6/8<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Ador<br> | ||

+ | "^Rather fast" A2 G | E2 A A2 B |"^(a)" c3 B2 B | A2 B AGE | G3- G2 E | G2 E G2 E | G2 A B2 B |$<br> | ||

+ | "^(b)" A2 G AGE | E3- E2 D | E3 e2 d | G2 B d2 e | AB c BAB |"^(c)" E3- E2 F | G2 A AGE |$<br> | ||

+ | D3 C2 D | E A2- A3- | A3 || A2 G | E2 A A2 B |"^(a) var." c3 BAG | AB A AGE | G3- G2 E |$<br> | ||

+ | G2 E G2 E | G2 A B2 B |"^(b) var." A2 G E2 D | E3- E2 D | E3 e2 d | G2 B d2 e | AB c BAB |$<br> | ||

+ | "^(c) var." BA B E2 F | G2 A AGE | D3 C2 D | E A2- A3- | A3 |]<br> | ||

''Notes on GB/7a/49'' The MIDI file ''GB-7a-49.mid'' plays out all the variants in full; the PDF file ''GB-7a-49-var.pdf'' displays all the variants in full; and the MusicXML file ''GB-7a-49-var.xml'' contains the full musical notation for all the variants. | ''Notes on GB/7a/49'' The MIDI file ''GB-7a-49.mid'' plays out all the variants in full; the PDF file ''GB-7a-49-var.pdf'' displays all the variants in full; and the MusicXML file ''GB-7a-49-var.xml'' contains the full musical notation for all the variants. | ||

− | |||

Line 571: | Line 1,378: | ||

[[File:GB-7a-50-var.xml]] | [[File:GB-7a-50-var.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:50<br> | ||

+ | T:GB/7a/50 The True Lover's Farewell<br> | ||

+ | C:Mrs Cranstone (p.4) Billingshurst, VII.07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/8<br> | ||

+ | Q:1/4=174<br> | ||

+ | M:12/8<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Ador<br> | ||

+ | "^Rather fast" A2 B | c3 B2 c A2 B c2 E | E2 F G2 E D3 A2 B | c3 B2 A G2 A B3 | A6- A3 A2 B |<br> | ||

+ | "^(a)" c3 B2 c A2 B c2 E |$ E2 F G2 E D3 C2 C | D3 c3 B2 A G2 B | A3 A3 C2 B, C2 D |<br> | ||

+ | E3 c3 B2 A G2 B | A6- A3 || A2 B |$ c3 B2 c A2 B c2 E | E2 F G2 E D3 A2 B | c3 B2 A G2 A B3 |<br> | ||

+ | A6- A3 A2 B |"^(a) var." c3 B2 c e2 B c2 E |$ E2 F G2 E D3 C2 C | D3 c3 B2 A G2 B |<br> | ||

+ | A3 A3 C2 B, C2 D | E3 c3 B2 A G2 B | A6- A3 |]<br> | ||

''Notes on GB/7a/50'' The MIDI file ''GB-7a-50.mid'' plays out all the variants in full; the PDF file ''GB-7a-50-var.pdf'' displays all the variants in full; and the MusicXML file ''GB-7a-50-var.xml'' contains the full musical notation for all the variants. | ''Notes on GB/7a/50'' The MIDI file ''GB-7a-50.mid'' plays out all the variants in full; the PDF file ''GB-7a-50-var.pdf'' displays all the variants in full; and the MusicXML file ''GB-7a-50-var.xml'' contains the full musical notation for all the variants. | ||

Line 582: | Line 1,406: | ||

[[File:GB-7a-51.xml]] | [[File:GB-7a-51.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:51<br> | ||

+ | T:GB/7a/51 Erin's Lovely Home Version 1 of 3<br> | ||

+ | C:Mr. Dick Anthony (c. 40), Stanford Bishop, Herefordshire, IX. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:4/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Eaeo<br> | ||

+ | G/A/ | B B A B/A/ | G E A E | D F E E | E3 |: E/F/ | G E G A | B e d e/d/ |$ B B/A/ G A | B3 :|<br> | ||

+ | G/A/ | B B A B/A/ | G E A E | D F E E | E3 |]<br> | ||

Line 595: | Line 1,432: | ||

[[File:GB-7a-52var.xml]] | [[File:GB-7a-52var.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:52<br> | ||

+ | T:GB/7a/52 Erin's Lovely Home Version 2 of 3<br> | ||

+ | C:Mr. Spooner (c. 70), Midhurst Workhouse, XI. 08<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:4/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Edor<br> | ||

+ | G | B B A B | G B A/G/ E | D G E D | E3 |: E | G G F E | e2 !fermata!d e |$"^(a)" B/c/ d B A |<br> | ||

+ | B3 :| G | B B A B | G B A/G/ E | D G E D | E3 || G |$ B B A B | G B A/G/ E | D G E D | E3 |: E |<br> | ||

+ | G G F E | e2 !fermata!d e |"^(a) var." B d B A |$ B3 :| G | B B A B | G B A/G/ E | D G E D | E3 |]<br> | ||

''Notes on GB/7a/52'' The MIDI file ''GB-7a-52.mid'' plays out all the variants in full; the PDF file ''GB-7a-52var.pdf'' displays all the variants in full; and the MusicXML file ''GB-7a-52var.xml'' contains the full musical notation for all the variants. | ''Notes on GB/7a/52'' The MIDI file ''GB-7a-52.mid'' plays out all the variants in full; the PDF file ''GB-7a-52var.pdf'' displays all the variants in full; and the MusicXML file ''GB-7a-52var.xml'' contains the full musical notation for all the variants. | ||

Line 607: | Line 1,458: | ||

[[File:GB-7a-53.xml]] | [[File:GB-7a-53.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:53<br> | ||

+ | T:GB/7a/53 Erin's Lovely Home Version 3 of 3<br> | ||

+ | C:Mr. Fletcher, Credenhill, 1906<br> | ||

+ | P:F.W. J(ekyll) & G.S.K. B(utterworth)<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:4/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Eaeo<br> | ||

+ | G/A/ | B B A B | G G A/G/ E | D D E E | E3 |: E | G E G B | e2 d B |$ G G A A | B3 :| G/A/ |<br> | ||

+ | B B A B | G G A/G/ E | D D E E | E3 |]<br> | ||

Line 616: | Line 1,481: | ||

[[File:GB-7a-54.xml]] | [[File:GB-7a-54.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:54<br> | ||

+ | T:GB/7a/54 Down In Our Village Version 1 of 2<br> | ||

+ | C:Mrs. Verrall (Journal 8), Horsham, XII. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:5/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:G<br> | ||

+ | D | G A B2 G | A B c A d | G A B2 G | B A z z D |$ G B d2 B | c d e2 B | c c D F A | B G- G2 |]<br> | ||

Line 625: | Line 1,502: | ||

[[File:GB-7a-55.xml]] | [[File:GB-7a-55.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:55<br> | ||

+ | T:GB/7a/55 Down In Our Village Version 2 of 2<br> | ||

+ | C:Mr. Standing (c. 70), Washington, Sussex, XII. 07<br> | ||

+ | P:F.W. J(ekyll) & G.S.K. B(utterworth)<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:5/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:G<br> | ||

+ | D | G G B2 G | F A c2 A | G G B2 G | F A z z D | G B d2 d |$ c c E3/2 F/ G | A A D2 F |<br> | ||

+ | A G z z"^Chorus" D | G G G B G | F A c B A |$ G G G B G | F A z z D | G B d2 d | c c E3/2 F/ G |<br> | ||

+ | A A D F A | A G- G2 |]<br> | ||

Line 634: | Line 1,526: | ||

[[File:GB-7a-56.xml]] | [[File:GB-7a-56.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:56<br> | ||

+ | T:GB/7a/56 On Christmas Night All Christians Sing<br> | ||

+ | T:Version 1 of 2<br> | ||

+ | P:Mr Knight (c. 60), Horsham, IV. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:6/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:C<br> | ||

+ | E | G2 G F2 F | E2 E D C B, | C2 C D E F | E2 D C3 | E3 D2 C | D E F G F E |$ D6 | G3 A3 |<br> | ||

+ | w: ||||||||news of|<br> | ||

+ | (G2 E) F3 | G3 C2 C | D E F E2 D | C4- C |]<br> | ||

+ | w: news * of|news of our|mer- ci- ful sav- iour's|birth *|<br> | ||

''Notes on GB/7a/56'' The tune is identical to that of GB/6a/125. | ''Notes on GB/7a/56'' The tune is identical to that of GB/6a/125. | ||

Line 645: | Line 1,553: | ||

[[File:GB-7a-57.xml]] | [[File:GB-7a-57.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

''Notes on GB/7a/57'' The tune is identical to that of GB/6a/126. | ''Notes on GB/7a/57'' The tune is identical to that of GB/6a/126. | ||

+ | |||

+ | X:57<br> | ||

+ | T:GB/7a/57 On Christmas Night All Christians Sing<br> | ||

+ | T:Version 2 of 2<br> | ||

+ | C:Mrs Cranstone (p. 4), Billingshurst, VI. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:6/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Cmix<br> | ||

+ | C | D2 C D E F | G2 G D2 C | D2 C D E F | G2 G D3 |$ G2 B A3 | G3 F E D | G2 G C2 C | D E F E2 D |<br> | ||

+ | C4- C |]<br> | ||

Line 656: | Line 1,578: | ||

[[File:GB-7a-58.xml]] | [[File:GB-7a-58.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:58<br> | ||

+ | T:GB/7a/58 Bonny Blooming Highland Jane<br> | ||

+ | C:Mrs. Whiting (p. 1) Newport, Mon., IV. 08<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/8<br> | ||

+ | M:5/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Fdor<br> | ||

+ | cB | BA F2 F2 E2 FG | A2 A2 B4 AB | c2 !fermata!c2 B2 c3 B | BA F2 E4 !fermata!cB |$<br> | ||

+ | BAFG F2 E2 FG | AG A2 B4 AB | c f2 e ce c3 B | BA FG F4 cd |$ e2 e2 f2 e2 cB | ABcd e4 c2 |<br> | ||

+ | fecd c2 B2 AB | cBAF E4 !fermata!cB |$ BAFG F2 E2 FG | A2 A2 B4 AB | c f2 g fe c3 B | BAFG F4 |]<br> | ||

''Notes on GB/7a/58'' The tune is similar to that of GB/6a/30. | ''Notes on GB/7a/58'' The tune is similar to that of GB/6a/30. | ||

Line 667: | Line 1,603: | ||

[[File:GB-7a-59.xml]] | [[File:GB-7a-59.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:59<br> | ||

+ | T:GB/7a/59 Dabbling in the Dew Version 1 of 3<br> | ||

+ | C:Mrs. Cranstone (p. 4), Billingshurst, VI. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/8<br> | ||

+ | M:4/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Fmix<br> | ||

+ | F2 F>G A>G F2 | B2 c>B A>G F2 | B2 B>B c2 c2 | f2 f2 c4 |$ c2 c>d e2 e2 | f2 c>B A>G F>F |<br> | ||

+ | G>A B>B c2 c>B | A2 G2 F4 |]<br> | ||

''Notes on GB/7a/59'' The tune is similar to that of GB/6a/62 but in a different key and at a different pitch. | ''Notes on GB/7a/59'' The tune is similar to that of GB/6a/62 but in a different key and at a different pitch. | ||

− | |||

Line 679: | Line 1,627: | ||

[[File:GB-7a-60.xml]] | [[File:GB-7a-60.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:60<br> | ||

+ | T:GB/7a/60 Dabbling in the Dew Version 2 of 3<br> | ||

+ | C:Mrs. Verrall (Journal), Horsham, XII. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/8<br> | ||

+ | M:4/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:F<br> | ||

+ | c2 | F2 A>B c2 f2 |[M:5/4] c2 c>B BG F2 c>c |[M:4/4] F>G A>B c2 f>f | e2 c2 c3 c |$<br> | ||

+ | f2 f>g f>e c2 | B2 B>d c>A B>G | F>G A>B c2"^(a)" _e>d | cB G2 F2 |]$"^(a) var." d>c | c2 F2 F2 |]<br> | ||

''Notes on GB/7a/60'' The tune is similar to that of GB/6a/63 but in a different key and at a different pitch. The MIDI file ''GB-7a-60.mid'' plays out the variant in full. | ''Notes on GB/7a/60'' The tune is similar to that of GB/6a/63 but in a different key and at a different pitch. The MIDI file ''GB-7a-60.mid'' plays out the variant in full. | ||

Line 690: | Line 1,651: | ||

[[File:GB-7a-61.xml]] | [[File:GB-7a-61.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:61<br> | ||

+ | T:GB/7a/61 Dabbling in the Dew Version 3 of 3<br> | ||

+ | C:(Mrs. Verrall), Ticehurst, Kent, 1906<br> | ||

+ | P:F.W. J(ekyll)<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:4/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Fmix<br> | ||

+ | F F{/G} E{/D} C | F G{/B} A F | B{/c} A{/B} c f |"^(a)"{/d} e c c z |$ f f{/g} e{/d} c |<br> | ||

+ | {/d} F{/F} A{/B} c c |{/B} E{/E} G{/_A} B e |{/d} c{/B} G F2 |]$"^(a) var."{/e} c c c z |<br> | ||

''Notes on GB/7a/61'' The tune is similar to that of GB/6a/64 but in a different key and at a different pitch. | ''Notes on GB/7a/61'' The tune is similar to that of GB/6a/64 but in a different key and at a different pitch. | ||

Line 701: | Line 1,676: | ||

[[File:GB-7a-62.xml]] | [[File:GB-7a-62.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:62<br> | ||

+ | T:GB/7a/62 Yonder Stands a Lovely Creature<br> | ||

+ | T:Version 1 of 2<br> | ||

+ | C:Mr Martin (c. 60), Fletching, Sussex, II. 09<br> | ||

+ | P:F.W. J(ekyll)<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:4/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Dmix<br> | ||

+ | G G A B | d d c/B/ A | d A A F | G A E2 |$ E F/G/ A B | A D B, D | E F/G/ A B |<br> | ||

+ | "^(a)" A/G/ E D2 |]$"^(a) var." A E D2 |<br> | ||

''Notes on GB/7a/62'' In the Take 6 Catalogue the title is recorded as "Younder ...etc." The tune is similar to that of GB/6a/180 but in a different key and at a different pitch. This version also adds a variant in the last bar. The MIDI file ''GB-7a-62.mid'' plays out the variant in full | ''Notes on GB/7a/62'' In the Take 6 Catalogue the title is recorded as "Younder ...etc." The tune is similar to that of GB/6a/180 but in a different key and at a different pitch. This version also adds a variant in the last bar. The MIDI file ''GB-7a-62.mid'' plays out the variant in full | ||

Line 712: | Line 1,702: | ||

[[File:GB-7a-63.xml]] | [[File:GB-7a-63.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:63<br> | ||

+ | T:GB/7a/63 Yonder Stands a Lovely Creature<br> | ||

+ | T:Version 2 of 2<br> | ||

+ | C:Heygate, Rusper, II. 10<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/8<br> | ||

+ | M:4/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:G<br> | ||

+ | G2 G2 GA Bc | d2 d2 cB G2 | g3 e a3 g | f2 e2 d4 |$ d3 d d2 B2 | g2 e2 d2 GA | B3 c d2 A2 |<br> | ||

+ | c2 BA G4 |]<br> | ||

Line 721: | Line 1,725: | ||

[[File:GB-7a-64.xml]] | [[File:GB-7a-64.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:64<br> | ||

+ | T:GB/7a/64 Pretty Ploughboy<br> | ||

+ | C:Mr G. Hillman (c. 70), Shoreham Workhouse, III.09<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:4/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Ddor<br> | ||

+ | D | G G F G | A2 D E/F/ | G2 F E | D3 D | G ^F G A/B/ | c c d c/B/ | A3 G |$ A G A/B/ c |<br> | ||

+ | d2 c d/c/ | A A G/F/E/D/ | C2 D E | F G A A | G F E F/E/ | D3 |]<br> | ||

''Notes on GB/7a/64'' The tune is identical to that of GB/6a/142. | ''Notes on GB/7a/64'' The tune is identical to that of GB/6a/142. | ||

Line 732: | Line 1,749: | ||

[[File:GB-7a-65.xml]] | [[File:GB-7a-65.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:65<br> | ||

+ | T:GB/7a/65 Come All You Little Streamers<br> | ||

+ | C:Mr.Spooner (c.70), Midhurst Workhouse, XI. 08<br> | ||

+ | P:F.W. J(ekyll)<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/8<br> | ||

+ | M:6/8<br> | ||

+ | I:linebreak $<br> | ||

+ | K:C<br> | ||

+ | B2 d | d2 c AGF | A2 G E2 F | G2 G A2 B | c3- c2 |: c | G2 G !fermata!e2 c | d3 ede |$<br> | ||

+ | c2 c E2 F |1 G3- G2 :|2 G3 B2 d || d2 c AGF | A2 G E2 F | G2 G A2 B | !fermata!c3 |]<br> | ||

''Notes on GB/7a/65'' The tune is similar to that of GB/6a/48 but there is a minor variation in the fifth full bar. | ''Notes on GB/7a/65'' The tune is similar to that of GB/6a/48 but there is a minor variation in the fifth full bar. | ||

− | '''GB | + | '''GB/7a/66 Come My Own One Version 1 of 4''' |

+ | |||

+ | [[File:GB-7a-66.mid]] | ||

+ | |||

+ | [[File:GB-7a-66.pdf]] | ||

+ | |||

+ | [[File:GB-7a-66.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:66<br> | ||

+ | T:GB/7a/66 Come My Own One Version 1 of 4<br> | ||

+ | C:Mr. H. Webb (c. 70), Stanton St. John, Oxon. V. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/8<br> | ||

+ | Q:1/4=112<br> | ||

+ | M:3/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:F<br> | ||

+ | E>F | G>E C2 G>G | A2 F2 c>f | d2 c2 A>F | G4 c>c |$ d2 c2 B2 | c>A F2 A>c | B>B C2 E>G | F4 |]<br> | ||

+ | |||

+ | ''Notes on GB/7a/66'' The tune is identical to that of GB/6a/51. | ||

+ | |||

+ | |||

+ | '''GB/7a/67 Come My Own One Version 2 of 4''' | ||

+ | |||

+ | [[File:GB-7a-67.mid]] | ||

+ | |||

+ | [[File:GB-7a-67.pdf]] | ||

+ | |||

+ | [[File:GB-7a-67.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:67<br> | ||

+ | T:GB/7a/67 Come My Own One Version 2 of 4<br> | ||

+ | C:Young children of Mr. Walter Searle, Amberley, Sussex, VI. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/8<br> | ||

+ | M:3/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:F<br> | ||

+ | A>A | B2 C2 G>F | A2 C2 C>B, | A,>C F>A c>c | G4 c>c |$ d2 c2 A>F | c>A F2 c>c | B2 C>E G2 | F4 |]<br> | ||

+ | |||

+ | ''Notes on GB/7a/67'' The tune is identical to that of GB/6a/52. | ||

+ | |||

+ | |||

+ | '''GB/7a/68 Come My Own One Version 3 of 4''' | ||

+ | |||

+ | [[File:GB-7a-68.mid]] | ||

+ | |||

+ | [[File:GB-7a-68.pdf]] | ||

+ | |||

+ | [[File:GB-7a-68.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:68<br> | ||

+ | T:GB/7a/68 Come My Own One Version 3 of 4<br> | ||

+ | C:"Worcester Peg" (c.70), Stoke Lacy, Herefordshire, IX. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/8<br> | ||

+ | M:3/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:F<br> | ||

+ | F>F | GE C2 B>B | AG F2 FA | d2 c2 (3AGF | G4 FA |$ d2 c2 (3AGF | Ac F2 Ac | B>B C2 DE | F4 |]<br> | ||

+ | |||

+ | ''Notes on GB/7a/68'' The tune is similar to that of GB/6a/53. | ||

+ | |||

+ | |||

+ | '''GB/7a/69 Come My Own One Version 4 of 4''' | ||

+ | |||

+ | [[File:GB-7a-69.mid]] | ||

+ | |||

+ | [[File:GB-7a-69.pdf]] | ||

+ | |||

+ | [[File:GB-7a-69.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:69<br> | ||

+ | T:GB/7a/69 Come My Own One Version 4 of 4<br> | ||

+ | C:Mr. Chalcraft (c. 80), Petworth, XII. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/8<br> | ||

+ | M:3/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:F<br> | ||

+ | F>G | A2 C2 F>G | A2 F2 F>A | c3 d cA | G4 Ac |$ d2 c2 A>F | c>A F2 A>c | B>B C>E G>G | F4 |]<br> | ||

+ | |||

+ | ''Notes on GB/7a/69'' The tune is similar to that of GB/6a/54. | ||

+ | |||

+ | |||

+ | '''GB/7a/70 All Round My Hat Version 1 of 2''' | ||

+ | |||

+ | [[File:GB-7a-70.MID]] | ||

+ | |||

+ | [[File:GB-7a-70.pdf]] | ||

+ | |||

+ | [[File:GB-7a-70.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:70<br> | ||

+ | T:GB/7a/70 All Round My Hat Version 1 of 2<br> | ||

+ | C:Mr. Edmund Knight (c. 70), Washington, Sussex. XII. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/8<br> | ||

+ | M:6/8<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Gmix<br> | ||

+ | D | G3 AGF | G3 ABc | d2 d edc | d2 c A2 A | G3 AGF |$ G3 ABc | d3 edc | d3- d2 d | de c c2 e |<br> | ||

+ | d2 c A2 B | c2 A d2 G |$ G2 F !fermata!D2 D | G3 AGF | G3 ABc | d2 d c2 B | G3- G2 |]<br> | ||

+ | |||

+ | ''Notes on GB/7a/70'' The tune is identical to that of GB/6a/1. | ||

+ | |||

+ | |||

+ | '''GB/7a/71 All Round My Hat Version 2 of 2''' | ||

[[File:GB-7a-71.MID]] | [[File:GB-7a-71.MID]] | ||

Line 743: | Line 1,891: | ||

[[File:GB-7a-71.xml]] | [[File:GB-7a-71.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:71<br> | ||

+ | T:GB/7a/71 All Around My Hat Version 2 of 2<br> | ||

+ | C:Collected from Mr. Verrall, Horsham, Sussex, July, 1909<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/8<br> | ||

+ | Q:1/4=120<br> | ||

+ | M:6/8<br> | ||

+ | I:linebreak $<br> | ||

+ | K:G<br> | ||

+ | D | G3 A2 F | G3 B2 c | d3 c2 B | G2 F D3 | G3 A2 F |$ G3 B2 c | d2 d =f2 e | d3- d2 d |<br> | ||

+ | e2 c c2 e | d2 c A2 B | c2 A d2 G |$ G2 F D2 D | G3 A2 F | G3 B2 c | d3 c2 B | G3- G2 |]<br> | ||

+ | |||

+ | |||

+ | '''GB/7a/72 Salisbury Plain Version 1 of 3''' | ||

+ | |||

+ | [[File:GB-7a-72.mid]] | ||

+ | |||

+ | [[File:GB-7a-72.pdf]] | ||

+ | |||

+ | [[File:GB-7a-72.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:72<br> | ||

+ | T:GB/7a/72 Salisbury Plain Version 1 of 3<br> | ||

+ | C:Mr H. Akhurst (c. 70), Lower Beeding, Sussex VI. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:4/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Ddor<br> | ||

+ | A | A F E D | A2 G/F/ E | D2 A3/2 B/ | c A G A/B/ | c2 d/c/ B | A2 A3/2 B/ |$ c A G A/B/ |<br> | ||

+ | c2 d E | F E D D | A/B/ c d/c/ B | A2 G/F/ E | D3 |]<br> | ||

+ | |||

+ | ''Notes on GB/7a/72'' The tune is identical to that of GB/6a/145. | ||

+ | |||

+ | |||

+ | '''GB/7a/73 Salisbury Plain Version 2 of 3''' | ||

+ | |||

+ | [[File:GB-7a-73.mid]] | ||

+ | |||

+ | [[File:GB-7a-73.pdf]] | ||

+ | |||

+ | [[File:GB-7a-73.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:73<br> | ||

+ | T:GB/67a/73 Salisbury Plain Version 2 of 3<br> | ||

+ | C:Mr Harwood (c. 60), Watersfield, Pulborough VII. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:4/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:Ddor<br> | ||

+ | A2 | D A G A | G2 A E | D2 A3/2 B/ | c A F A | c2 d c | A3 A/B/ |$ c A F A | c2 d D | F E D C |<br> | ||

+ | c c d c | A2 G3/2 F/ | D2 |]<br> | ||

+ | |||

+ | ''Notes on GB/7a/73'' The tune is identical to that of GB/6a/146. For Version 3 of Salisbury Plain see GB/7a/33B above. | ||

+ | |||

+ | |||

+ | '''GB/7a/74 Sovay Version 1 of 2''' | ||

+ | |||

+ | [[File:GB-7a-74.mid]] | ||

+ | |||

+ | [[File:GB-7a-74.pdf]] | ||

+ | |||

+ | [[File:GB-7a-74.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:74<br> | ||

+ | T:GB/7a/74 Sovay Version 1 of 2<br> | ||

+ | C:Mrs Cranstone (p. 4), Billingshurst, XII. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:3/2<br> | ||

+ | I:linebreak $<br> | ||

+ | K:G<br> | ||

+ | D | G F G2 A2 | G E D3 D | G F G3 A/B/ | c d A2 G3/2 G/ |$ A/B/ c d2 c c | B A G3/2 F/ D E |<br> | ||

+ | =F G F3/2 E/ !fermata!D C | D D d3/2 e/ d c | B A G3 |]<br> | ||

+ | |||

+ | ''Notes on GB/7a/74'' The tune is similar to that of GB/6a/154. | ||

+ | |||

+ | |||

+ | '''GB/7a/75 Sovay Version 2 of 2''' | ||

+ | |||

+ | [[File:GB-7a-75.mid]] | ||

+ | |||

+ | [[File:GB-7a-75.pdf]] | ||

+ | |||

+ | [[File:GB-7a-75.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:75<br> | ||

+ | T:GB/7a/75 Sovay Version 2 of 2<br> | ||

+ | C:Mr Welfare (c.60), East Chiltington, Sussex, VII. 08<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | Q:1/4=120<br> | ||

+ | M:3/2<br> | ||

+ | I:linebreak $<br> | ||

+ | K:G<br> | ||

+ | D |"^(a)" G F G2 A2 | G E D3 G | G F G2 G/A/ B | c B A2 B3/2 c/ |$ d d/B/ c2 d G | A F/E/ D3 D |<br> | ||

+ | G3/2 A/ B3/2 A/ !fermata!G G |[M:5/4] G d c B A |$[M:3/2] B B/A/ G3 || D |<br> | ||

+ | "^(a) var." G F G2 A3/2 G/ | F E D3 G | G F G2 G/A/ B |$ c B A2 B3/2 c/ | d d/B/ c2 d G |<br> | ||

+ | A F/E/ D3 D |$ G3/2 A/ B3/2 A/ !fermata!G G |[M:5/4] G d c B A |[M:3/2] B B/A/ G3 |]<br> | ||

+ | |||

+ | ''Notes on GB/7a/75'' The tune is similar to that of GB/6a/155. | ||

+ | |||

+ | |||

+ | '''GB/7a/76 The Cruel Father and Affectionate Lovers Version 1 of 3''' | ||

+ | |||

+ | [[File:GB-7a-76.mid]] | ||

+ | |||

+ | [[File:GB-7a-76.pdf]] | ||

+ | |||

+ | [[File:GB-7a-76.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:76<br> | ||

+ | T:GB/7a/76 The Cruel Father and Affectionate Lovers<br> | ||

+ | T:Version 1 of 3<br> | ||

+ | C:Mr. George Knight (c. 60), Horsham, IV. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:5/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:G<br> | ||

+ | D | G E D G G | A A A B B/c/ |[M:6/4] d d c2 B3/2 G/ |[M:5/4] A A G2 :|$ B | c d e c A |<br> | ||

+ | [M:6/4] B c d B z d |[M:5/4] c B A G E | F G D2 D |$ G E D G G | A A A B B/c/ |<br> | ||

+ | [M:6/4] d d c2 B3/2 G/ |[M:5/4] A A G2 |]<br> | ||

+ | |||

+ | ''Notes on GB/7a/76'' The tune is similar to that of GB/6a/56. | ||

+ | |||

+ | |||

+ | '''GB/7a/76A The Cruel Father and Affectionate Lovers Version 2 of 3''' | ||

+ | |||

+ | [[File:GB-7a-76A.mid]] | ||

+ | |||

+ | [[File:GB-7a-76A.pdf]] | ||

+ | |||

+ | [[File:GB-7a-76A.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:76<br> | ||

+ | T:GB/7a/76A The Cruel Father & Affectionate Lovers<br> | ||

+ | T:Version 2 of 3<br> | ||

+ | C:Mr. Walter Searle (c. 40), Amberley, Sussex, VI. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | W:Note: This tune is crossed out in the original MS. The reason why is unknown.<br> | ||

+ | L:1/4<br> | ||

+ | M:5/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:G<br> | ||

+ | D | G E D G G | A A A B B/c/ | d e c/B/ A d | G F G2 :| B |$[M:6/4] c d e2 c3/2 A/ |<br> | ||

+ | [M:4/4] B/c/ d2 d | c2 B A |[M:5/4] G G B/c/ d G | A A D2 D |$ G E D G G | A A A B B/c/ |<br> | ||

+ | d e c/B/ A d |[M:4/4] A G2 |]<br> | ||

+ | |||

+ | ''Notes on GB/7a/76A'' The tune is similar to that of GB/6a/57. For unknown reasons this tune is crossed out in the original MS; it is also unrecorded in the catalogue and the number "76A" has been added by the transcribers. | ||

+ | |||

+ | |||

+ | '''GB/7a/77 The Cruel Father and Affectionate Lovers Version 3 of 3''' | ||

+ | |||

+ | [[File:GB-7a-77.mid]] | ||

+ | |||

+ | [[File:GB-7a-77.pdf]] | ||

+ | |||

+ | [[File:GB-7a-77.xml]] | ||

+ | |||

+ | '''abc notation''' | ||

+ | |||

+ | X:77<br> | ||

+ | T:GB/7a/77 The Cruel Father and Affectionate Lovers<br> | ||

+ | T:Version 3 of 3<br> | ||

+ | C:Mrs. Cranstone (p. 4), Billingshurst, VII. 07<br> | ||

+ | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||

+ | L:1/4<br> | ||

+ | M:5/4<br> | ||

+ | I:linebreak $<br> | ||

+ | K:G<br> | ||

+ | D | G G D F A | d d G B d |[M:6/4] c B B3/2 A/ G3/2 E/ |[M:5/4] A A D2 D |$ G G D F A |<br> | ||

+ | d d G B d |[M:6/4] c B B3/2 G/ A A | G4 |]<br> | ||

+ | |||

+ | ''Notes on GB/7a/77'' The tune is identical to that of GB/6a/58. |

## Latest revision as of 14:47, 20 April 2016

Go to Take 6 Transcription Programme Home Page

**For playback, abc files, and midi files, of these transcriptions that are linked to their original MSS enter the filenames [LEB/2/1/1 or whatever] in the search box here. [[1]]**

## Sheet Music Tune Book of Melodies from Butterworth MS 7a

File:Butterworth MS 7a Tune Book.pdf

## Book of Incipits of Melodies from Butterworth MS 7a

File:Butterworth MS 7a incipits.pdf

**GB/7a/1 Isle of France Version 1 of 3**

**abc notation**

X:1

T:GB/7a/1 Isle of France Version 1 of 3

C:Dick Antony (c. 40), Stanford Bishop, Herefordshire, IX. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/8

M:3/2

I:linebreak $

K:D

DE | F2 A2 F4 B,3 C | D2 D2 D6 A2 | B2 c2 d4 c3 B | ABcA B6 A2 |$ B2 c2 d4 c3 A | ABcA B4 D3 E |

F2 dc B3 A B,3 C | D2 D2 D6 |]

**GB/7a/1A Isle of France Version 2 of 3**

**abc notation**

X:1

T:GB/7a/1A Isle of France Version 2 of 3

C:William Smith (c.40), Stoke Lacey, Herefordshire, IX. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/8

M:3/2

I:linebreak $

K:D

DE | F2 B2 F4 B,3 C | D2 D2 D6 A2 | B2 c2 d4 c3 B | AB c2 B6 A2 |$ B2 e2 d4 c3 B | A2 c2 B6 DE |

F2 B2 F4 B,3 C | D2 D2 D6 |]

**GB/7a/1B Isle of France Version 3 of 3**

**abc notation**

X:1

T:GB/7a/1B Isle of France Version 3 of 3

C:Mr "Skinner" Crow, Filby, Norfolk, IV. 10

P:FW J(ekyll) & GSK B(utterworth)

Z:Transcribed by Simon Furey and Lewis Jones

L:1/8

M:3/2

I:linebreak $

K:Dmix

D3 E | F2 A2 G2 ED CD E2 | D2 D2 D6 D2 |"^(a)" FGAB c4 AB c2 | d2 dc A6 D2 |$ FGAB c2 A2 B2 c2 |

"^(b)" d2 dc A6 D2 | FG A2 G2 ED CD E2 | D2 D2 D4 |]$"^(a) var. 1" F2 AB c2 A2 B2 c2 ||

"^(a) var. 2" FGAB c2 A2 B2 c2 | d2 d2 A6 D2 ||"^(b) var. 1" dcBc A6 D2 ||

"^(b) var. 2" d2 dc A6 DE ||

**GB/7a/2 Jolly Fellows that Follow the Plough Version 1 of 2**

**abc notation**

X:2

T:GB/7a/2 Jolly Fellows that Follow the Plough

T:Version 1 of 2

C:Mr. Ede (c. 40), Bosham, Sussex IV. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

Q:1/4=132

M:3/4

I:linebreak $

K:F

c | F G A | B d d | c F F | F2 F | F G A | B A B | G c d | c2 c |$ d d c | d f d | c A c | f e f |

d c A | G c B | A F F | F2 |]

**GB/7a/2A Jolly Fellows that Follow the Plough Version 2 of 2**

**abc notation**

X:2

T:GB/7a/2A Jolly Fellows that Follow the Plough

T:Version 2 of 2

C:Mr. Richard Newton

P:Noted by FW J(ekyll)

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:3/4

I:linebreak $

K:F

F | A A A | c B G | G F F | F2 A | B A B | c f f | _e c d | c2 c |$ c A c | d/e/ f d | c B c |

F G A | B A B | c B G | A F F | F2 |]

**GB/7a/3 American King, The**

**abc notation**

X:3

T:GB/7a/3 American King, The

C:Mrs. Cranstone (c.50), Wood Dale, Billingshurst, VII. 07.

Z:Transcribed by Simon Furey and Lewis Jones

L:1/8

M:3/4

I:linebreak $

K:G

GA | B2 B2 cB | A2 A2 BA | G2 E2 F2 | G4 :| GB | d2 d2 ed |$ dB G2 GB | d2 B2 d2 | A4 GA |

B3 d cB | AG E2 GE | D2 G2 A2 | G6 |]

**GB/7a/4 Green Mossy Banks of the Lea Version 1 of 4**

**abc notation**

X:4

T:GB/7a/4 Green Mossy Banks of the Lea Version 1 of 4

C:Mr Nappin (c. 50), Stanton St. John, Oxon. V. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:3/4

I:linebreak $

K:Daeo

D | F A A | F G E | C D E | F G A | F G E | D2 :| D | F G A | B G B | c F2- | F2 F |$ B A B |

c B c | d3- | d2 d | c B A | G A G/F/ | D E F | G A A | F G E | D2 |]

**GB/7a/4A Green Mossy Banks of the Lea Version 2 of 4**

**abc notation**

X:4

T:GB/7a/4A Green Mossy Banks of the Lea Version 2 of 4

C:Sung by Mr Lockly (c. 80); sexton at High Ercall, Salop. III. 08

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:3/4

I:linebreak $

K:Ddor

A, | D D E | F G/F/ D | C !fermata!D F/G/ | A c A | G E/D/ C | D2 :| A | c B A | A/G/ E ^F |

G !fermata!A A/G/ |$ F E D | D A, B, | C2 (3A,/B,/C/ | D D E | F G/F/ D | C !fermata!D F/G/ |

A c A | G E/D/ C | D2 |]

**GB7a/4B Green Mossy Banks of the Lea Version 3 of 4**

**abc notation**

X:4

T:GB/7a/4B Green Mossy Banks of the Lea

T:Version 3 of 4

C:Mr James Landamore (c. 70) Wroxham, Norfolk IV. 10

P:FW J(ekyll) & GSK B(utterworth)

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:3/4

I:linebreak $

K:Ddor

D | F A A | G F D | C !fermata!D D | F A A |$ G F E | D2 :| D | F G A | c A A |$ d !fermata!d D |

F G A | c A c | d2 d | c A A |$ G F D | C !fermata!D D/E/ | F D E | A, D3/2 C/ | D2 |]

**GB/7a/4C Green Mossy Banks of the Lea Version 4 of 4**

**abc notation**

X:4

T:GB/7a/4C Green Mossy Banks of the Lea

T:Version 4 of 4

C:Mr George Locke (c. 70) Rollesby, Norfolk X. 10

P:R V(aughan) W(illiams) & GSK B(utterworth)

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:3/4

I:linebreak $

K:Ddor

D/E/ |"^(a)" F G A | c A c | d D2- | D2 D/E/ | F G A/>B/ |"^(b)" c/B/ A/B/ c |$ d2 d |

"^(c)" c B A | F G A | C D D/>E/ | A A/B/ c | F G/F/ E | D2 |]$"^(a) var. 1" F E D | c/B/ A/B/ c ||

"^(a) var. 2" F/E/ D A/B/ ||"^(b) var." c/B/ A c | d2 d/>B/ ||$"^(c) var. 1" d B A/G/ | G A G/E/ ||

"^(c) var. 2" d B A | G A G/E/ ||"^(c) var. 3" c B A/G/ | F A G/E/ ||

**GB/7a/5 'Twas of a Brisk and Lively Lad Version 1 of 3**

**abc notation**

X:5

T:GB/7a/5 'Twas of a Brisk and Lively Lad Version 1 of 3

C:Mr Ned Harding (c. 50), Lower Beeding, Sussex VI. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:4/4

I:linebreak $

K:A

E | E A G A | B c/d/ e e | B/c/ d B B | A3 :| c/d/ | e f e3/2 A/ |$ A F E (3c/d/e/ | f e d/c/ B |

A G E F/G/ | A3/2 F/ G A | B c/d/ e e | B/c/ d B B | A3 |]

**GB/7a/6 'Twas of a Brisk and Lively Lad Version 2 of 3**

**abc notation**

X:6

T:GB/7a/6 'Twas of a Brisk and Lively Lad

T:Version 2 of 3

C:Mr. Cranstone (c. 50) and Mrs. Cranstone (see GB/7a/3), Billingshurst VI. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/8

M:4/4

I:linebreak $

K:A

A2 | d3 d c2 B2 | c2 AG F2 z c | d2 BG A2 BG | E4 EFGE |$ A3 F G2 A2 |"^(a)" B4 c2 e2 |

d2 c2 B2 B2 | A6 |]"^(a) var." B2 cB A2 ce |

**GB/7a/7 'Twas of a Brisk and Lively Lad Version 3 of 3**

**abc notation**

X:7

T:GB/7a/7 'Twas of a Brisk and Lively Lad Version 3 of 3
C:Mr Edwin Spooner (c. 70), Midhurst Union, XI. 08

P:GSK B(utterworth) & FW J(ekyll)

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:4/4

I:linebreak $

K:A

E | A3/2 F/ G A | B3/2 c/ A !fermata!e | d c B B | A3 :| A | e3/2 d/ !fermata!c B |$

"^(a)" c A/G/ !fermata!F c/e/ | d c B/A/ B | E2 E F/G/ | A2 F G/A/ | B2 c e | d c B/A/ B | A3 |]

"^(a) var." c A/G/ !fermata!F c |

**GB/7a/8 Just as the Tide Was Flowing Version 1 of 3**

**abc notation**

X:8

T:GB/7a/8 Just As the Tide Was Flowing

T:Version 1 of 3

C:Mr Weekes (c. 80) Ticehurst, Kent IV, 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/8

M:4/4

I:linebreak $

K:F

AG | F2 D2 D2 C2 | F2 F2 G2 FG | A2 c2 BAGF | D3 E F2 :| AB | c3 A d3 A |$ B2 G2 c3 B |

A2 A2 G2 FG | A2 C2 !fermata!C2 AG | F2 D2 D2 C2 | F2 F2 G2 F2 | A2 c2 BAGF | D3 E F2 |]

**GB/7a/9 Just as the Tide Was Flowing Version 2 of 3**

**abc notation**

X:9

T:GB/7a/9 Just as the Tide was Flowing Version 2 of 3

C:Mr Standing (c. 70), Washington, Sussex XII. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/8

M:4/4

I:linebreak $

K:F

AG | GF D2 C2 DE |"^(a)" F2 F2 G2 F2 | d2 dc A2 GF | D3 E F2 :| c2 | c2 c2 dcAG |

FA c2 !fermata!d2 dc |$ A2 A2 G2 AG | GF D2 !fermata!C2 AG | GF D2 C2 DE | F2 F2 G2 FG |

d2 dc A2 GF | D3 E F2 |]"^(a) var." F2 F2 G2 FG |

**GB/7a/10 Just as the Tide Was Flowing Version 3 of 3**

**abc notation**

X:10

T:GB/7a/10 Just As the Tide Was Flowing

T:Version 3 of 3

C:Mr George Locke (c. 70) Rollerby, Norfolk, X. 10

P:R V(aughan) W(illiams) & GSK B(utterworth)

Z:Transcribed by Simon Furey and Lewis Jones

L:1/8

M:2/4

I:linebreak $

K:F

"^(a)" A3 G |[M:4/4] F2 E2 D2 C2 |"^(b)" F2 F2 GA B2 |"^(c)" c3 B AGFE |"^(d)" D3 E F2 A2 |

G2 F2 D2 C2 |$ FE F2 G2 AB | c3 B AGFE | D3 E F2"^(e)" z F | F2 A2 cA F2 | d2 c2 !fermata!c2 c2 |

d2 c2 AG F2 |$ AG"^(f)" A2 D4 |[M:2/4] A3 G |[M:4/4] F2 E2 D2 C2 | F2 F2 GA B2 | c3 B AGFc |

"^(g)" c2 c2 cA !fermata!F2 |]$[M:2/8]"^(a) var." AG ||[M:4/4]"^(b) var." G2 AB GA B2 ||

"^(c) var." c2 c2 A2 F2 ||"^(d) var." DE F2 F2 A2 ||$"^(e) var." D3 E F2 c2 | c2 c2 cA F2 ||

"^(f) var." AGAF D4 ||"^(g) var." c3 c cA !fermata!F2 ||

*Notes on GB/7a/10* There is some uncertainty over this transcription, which was derived from the scanned image on the *Take 6* website. Further reference to the original MS is needed, since part of the scan is illegible and/or unclear.

**GB/7a/11 God Rest You Merry Version 1 of 2**

**abc notation**

X:11

T: GB/7a/11 God Rest You Merry

T: Version 1 of 2

C: Mr. Lockly (c.80), High Ercall, Salop, III. 08

P: GSK B(utterworth)

Z:Transcribed by Simon Furey and Lewis Jones

W: There are slight variations in the notation and the headers, but the melody is identical to that of GB/6a/74.

W: There, however, the informant's surname is spelt "Lockley."

L:1/4

M:4/4

I:linebreak $

K:Edor

D | E B B A | G F E D | A A A/B/ ^c | B3 :| d | c/B/ A A B/c/ | d c A B/A/ | F E E/F/ G |$

A2 G A | e2 d e | B A G F | E2 E/F/ G | A2 F/G/ A | e2 d e | B A G F | E3 |]

**GB/7a/12 God Rest You Merry Version 2 of 2**

**abc notation:**

X:12

T:GB/7a/12 God Rest You Merry Version 2 of 2

C:Mrs Cranstone, August, 1911

Z:Transcribed by Simon Furey and Lewis Jones

Q:1/4=120

M:C

L:1/8

K:Edor

E2 |E2 B2 B2 A2 |G2 F2 E2 D2 |E2 F2 G2 A2 |B6 :|Bc |

d3 F F2 G2 |A2 A2 G2 A2 |d2 d2 F2 G2 |A4 G2 A2 |B2 d2 cB A2 |B2 A2 G2 F2 |

E2 F2 G2 E2 |A4 G2 A2 |B2 d2 cB A2 |B2 A2 G2 F2 |E6 |]

**GB/7a/13 The Bold Thresherman Version 1 of 3**

**abc notation**

X:13

T:GB/7a/13 The Bold Thresherman Version 1 of 3

C:Mr. Ned Harding, (c.50) Lower Beeding Sussex, VI. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:4/4

I:linebreak $

K:Fdor

F | F c B G | E2 F G | B2 A G | F3 F | B2 c d |$ e2 c c | c f e d | c3 F | B2 c d | e2 c c |

c f e d |$ c B G F | B2 A F | E2 F G | B2 A G | F4 |]

**GB/7a/14 The Bold Thresherman Version 2 of 3**

**abc notation**

X:14

T:GB/7a/14 The Bold Thresherman Version 2 of 3

C:Mr. Netley (c.60) Nutbourne, Sussex, VI. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:4/4

I:linebreak $

K:Fmix

c | c2 B G | E2 F G | B2 G A/G/ | F3 F | B A B c/d/ |$ e2 c c | f f e d | c3 F | B A B c/d/ |

e2 c c |$ f f e f | c B A F | c2 B G | E2 F G/A/ | B2 G A/G/ | F3 |]

**GB/7a/15 The Bold Thresherman Version 3 of 3**

**abc notation**

X:15

T:GB/7a/15 The Bold Thresherman Version 3 of 3

C:Mrs Verrall, to 'Polly Oliver' X. 10

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:4/4

I:linebreak $

K:Gmix

G | d2 c A | F2 G B | c2 A B | G3 G | G2 B c |$ d2 e f |"^(a)" g2 f g | d3 G | A2 B c | d2 e f |

g2 f g |$ d c B c | d2 c A | F2 G A | c c B A | G3 |$"^(a) var." g2 e f |]

**GB/7a/16 Come All You Little Irish Girls Version 1 of 2**

**abc notation**

X:16

T:GB/7a/16 Come All You Little Irish Girls

T:Version 1 of 2

C:Mr Knight (c. 60) Horsham, IV. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/8

M:3/4

I:linebreak $

K:G

D2 | G2 B2 dd | cc B2 AG | FD G2 AB | G4 :| AB |[M:4/4] c>B c4 BG | B>B B4 GB |$

[M:3/4] d2 dd c>B | A>B c2 BA |[M:4/4] GG D4 dd |[M:3/4] cc BB AG | FD G2 AB | G4 |]

**GB/7a/17 Come All You Little Irish Girls Version 2 of 2**

**abc notation**

X:17

T:GB/7a/17 Come All You Little Irish Girls

T:Version 2 of 2

C:Mr Tom Anstey, Beckley, Oxon., V. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/8

M:3/4

I:linebreak $

K:G

D2 | G2 D2 Bd | dd c2 BB | A>G E2 F2 | G4 :| (3GAB |[M:4/4] c>B c4 D2 | B>A B4 G>B |$

[M:3/4] d2 c2 B2 | A>B c2 B>A |[M:4/4] GG D4 B>d |[M:3/4] de c2 BA | AG E2 F2 | G4 |]

**GB/7a/18 Murder of Maria Martin Version 1 of 2**

**abc notation**

X:18

T:GB/7a/18 Murder of Maria Marten

T:Version 1 of 2

C:Mr Jim Wharton (c. 60) Stanton St. John, Oxon. V. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/8

M:4/4

I:linebreak $

K:Faeo

cd | e2 c2 cB A2 | B2 B2 c2 Bd | c2 B2 BA F2 | E6 AG |$ F2 F2 FEFG | A2 A2 B2 AB | c3 A BA FE |

F6 |]

**GB/7a/19 Murder of Maria Martin Version 2 of 2**

**abc notation**

X:19

T:GB/7a/19 Murder of Maria Marten

T:Version 2 of 2

C:Mrs Keble (84) Shadingfield, Suffolk. X. 10

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:4/4

I:linebreak $

K:Faeo

c/d/ | e c c/B/ A | B B c B | c F F/E/ C/D/ | E3 C |$ F F F E | A A B A/B/ | c3/2 A/ B/A/ F |

F3 |]

**GB/7a/20 Green Bushes Version 1 of 3**

**abc notation**

X:20

T:GB/7a/20 Green Bushes Version 1 of 3

C:Mr Puttock (c. 80), Sutton, Pulborough, VII. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:3/4

I:linebreak $

K:Fdor

A/G/ | F F G/F/ | E F G | c c/B/ G | E F G | F F G/F/ | E F G | c e d | c2 B |$ c c f | c e d/c/ |

B F G | E F G | F3/2 A/ G | E F (3G/A/B/ | c c/B/ G | F2 |]

*Notes on GB/7a/20* The key signature has changed, but the tune is identical to that of GB/6a/79.

**GB/7a/21 Green Bushes Version 2 of 3**

**abc notation**

X:21

T:GB/7a/21 Green Bushes Version 2 of 3

C:Mr Cranstone (c. 50), Wood Dale, Billingshurst, VII. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:3/4

I:linebreak $

K:Fdor

C | F F G/F/ | E F c | c c/B/ G | F2 C | F F G/F/ | E F c | c d/c/ B | c2 B |$ c c f | c d e |

G B G | E F G | F3/2 G/ A | E F G | c c/B/ G | F2 |]

*Notes on GB/7a/21* The key signature has changed, but the tune is identical to that of GB/6a/80.

**GB/7a/22 Green Bushes Version 3 of 3**

**abc notation**

X:22

T:GB/7a/22 Green Bushes Version 3 of 3

C:Mr Spooner (c.70) Midhurst Union, XI. 08

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:3/4

I:linebreak $

K:Fmix

C | F F G | E F A/B/ | c c/B/ G | E F G/E/ | F F G/F/ | E F A/B/ | c e d | c2 A/B/ |$ c c f |

c d e | G B G/F/ | E F G/E/ | F3/2 F/ G/F/ | E F A/B/ | c c/B/ G | F2 |]

*Notes on GB/7a/22* The key signature has changed, but the tune is identical to that of GB/6a/82.

**GB/7a/23 Spanish Ladies Version 1 of 3**

**abc notation**

X:23

T:GB/7a/23 Spanish Ladies Version 1 of 3

C:Mr Cooper (c.40), Washington, Sussex, XII. 07

P:F.W. J(ekyll) & G.S.K. B(utterworth)

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:3/4

I:linebreak $

K:Aaeo

E | A A E | A2 A/B/ | c B A |"^(a)" A !fermata!E E | A A E | A2 A/B/ | c d B | A2 A |$ c B c |

d c d | e c A | A !fermata!E !fermata!e/ d/ | c B A | A/G/ E D | E c B | A2"^(a) var." |]

G !fermata!E E |

**GB/7a/24 Spanish Ladies Version 2 of 3**

**abc notation**

X:24

T:GB/7a/24 Spanish Ladies Version 2 of 3

C:Mr. Verral (Journal 8) Horsham,l VI. 09

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:3/4

I:linebreak $

K:G

A |: E A3/2 G/ | A2 A/B/ |1 c B A || A/G/ E A :|2 c d B || A2 A/B/ | c B A |$ d c d | e A3/2 B/ |

A/G/ E2 | z !fermata!e3/2 d/ | c B A | G F D | E c B | A2 |]

*Notes on GB/7a/24* The key signature has changed, but the tune is identical to that of GB/6a/159.

**GB/7a/25 Spanish Ladies Version 3 of 3**

**abc notation**

X:25

T:GB/7a/25 Spanish Ladies Version 3 of 3

C:At Winterton, Norfolk, 3.13, by a young sailor

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:3/4

I:linebreak $

K:Aaeo

(3E/F/G/ | A A B | A ^G A/>B/ | c d B | A/>=G/ !fermata!E (3E/F/G/ | A A B |$ A2 A/>B/ |

c d c/A/ | B2 A/B/ | c B A | d ^c d/>"^?"^f/ | e A B |$ A/>G/ !fermata!E !fermata!e/>d/ | c B A |

B E D | E c B | A2 |]

**GB/7a/26 As I Roamed Out One Midsummer's Morning Version 1 of 2**

**abc notation**

X:26

T:GB/7a/26 As I Roamed Out One Midsummer's Morning

T:Version 1 of 2

C:Mrs. Whiting (see p. 1 Newport, Mon. IV. 08)

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:4/4

I:linebreak $

K:Dm

"^Rather fast" A, | D3/2 C/ D E |"^(a)" F G E D | G F G/A/ B | A2 D A, | D C D E |$ F2 E D |

G3/2 F/ G B | A3 A | d2 c A | G2 F/G/A/=B/ | c =B c/B/A/G/ |$ F D C A, |"^(b)" D3/2 F/ D E |

F A c d/c/ | A3/2 G/ F/D/ E | D3 |]$"^variants (a)" F2 F A | c =B c/B/A/G/ | F D C"^Etc" A, ||

"^(b)" D3/2 F/ E D | c c d/c/A/G/ | F D E F/E/ | D3 |]

*Notes on GB/7a/26* The key signature has changed, and there are minor notational differences, but the tune is identical to that of GB/6a/5.

**GB/7a/27 As I Roamed Out One Midsummer's Morning Version 2 of 2**

**abc notation**

X:27

T:GB/7a/27 As I Roamed Out One Midsummer's Morning

T:Version 2 of 2

C:Mr. Smith (see p. 1) Newport, Mon. IV. 08.

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:4/4

I:linebreak $

K:Daeo

"^Slower (i.e. than GB/7a/26) Free rhythm" D | D3/2 C/ D E | F G E D | G3/2 F/ G B |

A2 !fermata!D D | D3/2 C/ D E |$ F G E D | G3/2 F/ G B | A3 A | d2 c A | G2 F A | c e d/c/A/G/ |$

F A !fermata!C C | D3/2 C/ D E | F A c d | A G F E | D3 |]

*Notes on GB/7a/27* The tune is described here as in "free rhythm" but is otherwise identical to that of GB/6a/6.

**GB/7a/28 The Banks of Sweet Primroses Version 1 of 2**

**abc notation**

X:28

T:GB/7a/28 Banks of Sweet Primroses, The

T:Version 1 of 2

C:Battle Workhouse, Sussex, IV. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/8

M:3/2

I:linebreak $

K:G

D2 | G2 D2 G6 AB | cBAG G4 D2 B2 | d2 e2 d4 G3 E | F2 G2 A4 z2 AB |$"^(a)" cded d4 G3 A |

B2 A2 G4 D2 A2 | GFED G2 B2 d2 c2 | B2 A2 G6 |]$"^(a) var." c2 e2 d4 G3 A |

**GB/7a/29 The Banks of Sweet Primroses Version 2 of 2**

**abc notation**

X:29

T:GB/7a/29 Banks of Sweet Primroses, The

T:Version 2 of 2

C:Shoreham Workhouse, Sussex, I. 09

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:3/2

I:linebreak $

K:G

D | G F G3 A/B/ | c A F D z B | c c B3/2 A/ G E | F G A2 z B |$ c e d2 G A | B A G2 D A/G/ |

[M:5/4] F D G d c |[M:3/4] B/G/ A A | G2 |]

**GB/7a/30 Henry Martin Version 1 of 3**

**abc notation**

X:30

T:GB/7a/30 Henry Martin Version 1 of 3

C:Mr Jack Feast (c. 50), Lower Beeding, Sussex, VI. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:3/4

I:linebreak $

K:Dmix

G | A2 B | G2 A | G E F | D2 G |"^(a)" A B c | d c d | A2 G |$ A d d | c2 B | c B A | G3/2 E/ D |

c d B | A G E/F/ | D2 |]$"^(a) var." G | A c B | c d B | A2 |

*Notes on GB/7a/30* The key signature has changed, but the tune is identical to that of GB/6a/87.

**GB/7a/31 Henry Martin Version 2 of 3**

**abc notation**

X:31

T:GB/7a/31 Henry Martin Version 2 of 3

C:Mr Henry Akhurst (c. 70), Lower Beeding, Sussex, VI. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:3/4

I:linebreak $

K:D

A | D2 B | A2 B | A E F/E/ | D2 D | F G A | d c B | A2 A | d A B |$ =c B A | A D E | F3/2 E/ D |

G3/2 A/ B | A2 F/G/ | A d A/B/ | A F E | D2 |]

*Notes on GB/7a/31* The tune is identical to that of GB/6a/88.

**GB/7a/32 Henry Martin Version 3 of 3**

**abc notation**

X:32

T:GB/7a/32 Henry Martin Version 3 of 3

C:Mr G. Hillman, Shoreham Workhouse, Sussex, I. 09

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:3/4

I:linebreak $

K:Ddor

A | F E D | A3/2 B/ A | G E C | D2 G |"^(a)" A2 A | c B G | A3- | A2 G |$ A A d | c B A | A D E |

F2 F | G3- | G2 F/G/ |"^(b)" A3/2 c/ A | G F E | D2 |]$"^(a) var.i" A B c | d c B | A3 ||

"^(a) var.ii" A B c | d B c | A3 ||"^(b) var." A3/2 B/ A | G E F | D2 ||

*Notes on GB/7a/32* The key signature has changed, but the tune is identical to that of GB/6a/90.

**GB/7a/33 Tarry Trowsers Version 1 of 2**

**abc notation**

X:33

T:GB/7a/33 Tarry Trowsers Version 1 of 2

C:Mrs Verrall (Journal 8) Horsham XI. 08

P:F.W. J(ekyll).

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:2/2

I:linebreak $

K:Edor

E E B B | G E F D | E E/F/ G G | A A B2 | B B/c/ d e |"^(a)" A/A/A/A/ c d | G E d B | A B E2 |]$

"^(a) var." A A c d |

**GB/7a/33B Salisbury Plain Version 3 of 3 (Out of Sequence in EFDSS Catalogue)**

**abc notation**

X:33

T:GB/7a/33B Salisbury Plain Version 3 of 3

C:Mr Ruff (c. 60), Sutton, Petworth, VII. 09

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:4/4

I:linebreak $

K:Ddor

F/G/ | A F E D | A2 G/F/ E | D2 A3/2 B/ | c A F A/B/ | c2 d c | A2 A B |$ c A F A |"^(a)" c2 d E |

F E D C | c c d c | A2 G F | D3 |]$"^(a) var." c2 d D |

*Notes on GB/7a/33B* The key signature has changed, but the tune is identical to that of GB/6a/147. For Versions 1 and 2 of Salisbury Plain see GB/7a/72 and GB/7a/73 below.

**GB/7a/34 Tarry Trowsers Version 2 of 2**

**abc notation**

X:34

T:GB/7a/34 Tarry Trowsers

C:Mrs Powell, Minster, Sheppey, VIII.10

Z:Transcribed by Simon Furey and Lewis Jones

L:1/8

Q:1/4=90

M:4/4

I:linebreak $

K:Em

E | E2 B>B B>AG>A | B2 (3BAG A>GE>E | A3 B AG EF | G2 A2 B4 |"^(a)" E>F G>A Be !fermata!e>d |$

A2 A>G FA !fermata!d2 | G2 FE (3B2 B2 A2 | G2 F2 E4 || E | E2 B>B B>AG>A | B2 (3BAG A>GE>E |$

A3 B AG EF | G2 A2 B4 |"^(a) var." E>F G>A Be !fermata!e/d/^c | A2 A>G FA !fermata!d2 |

G2 FE (3B2 B2 A2 | G2 F2 E4 |]

**GB/7a/35 Banks of Green Willow Version 1 of 2**

**abc notation**

X:35

T:GB/7a/35 Banks of Green Willow Version 1 of 2

C:Mr. and Mrs. Cranstone (p. 4), Billingshurst, VI. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/8

M:3/4

I:linebreak $

K:A

AB | c3 d B>c | A>B E2 AG | F2 D2 B2 |"^(a)" BG !fermata!E2 EA |$ A2 E2 C>B, | A,>C E2 E2 |

F2 d2 B2 | cB A2 |]$"^(a) var." BG !fermata!E2 FG |

**GB/7a/36 Banks of Green Willow Version 2 of 2**

**abc notation**

X:36

T:GB/7a/36 Banks of Green Willow Version 2 of 2

T:Mr. Cornford, East Chiltington, Sussex, VII. 08

Z:Transcribed by Simon Furey and Lewis Jones

L:1/8

M:3/4

I:linebreak $

K:A

A>B | c2 A2 B2 | A>G E>F =G>A | F>E D>F A2 | A2 E2 (3EF=G |$ A3 =G E>D | B,>C D2 D>D | E2 B3 E |

FG A2 |]

*Notes on GB/7a/36* The tune is identical to that of GB/6a/10.

**GB/7a/37 Barbara Allen Version 1 of 3**

**abc notation**

X:37

T:GB/7a/37 Barbara Allen Version 1 of 3

C:Mr. Morley, Wartling, Sussex, IV. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:5/4

I:linebreak $

K:G

D | B B B2 A | G A E2 D | G B d2 B | c d z z d | e e d2 B |$

c d/c/ G2"^For the love of Barbara Allen Allen for love" A/ A/ |

B c A2 D |[M:3/2] G A B d z c |[M:5/4] B c A2 D | G G- G2 |]

**GB/7a/38 Barbara Allen Version 2 of 3**

**abc notation**

X:38

T:GB/7a/38 Barbara Allen Version 2 of 3

C:Mr. Henry Webb (c. 70), Stanton St. John, Oxon. V. 07.

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:5/4

I:linebreak $

K:G

G | G B d2 B | B A G2 d | e a g2 e | f d z z d |$ g f e2 d | e d B c d | e d B2 G | A G- G2 |]

**GB/7a/39 Barbara Allen Version 3 of 3**

**abc notation**

X:39

T:GB/7a/39 Barbara Allen Version 3 of 3

C:Mr. Dearling (c. 50), West Burton, Sussex, XII. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:5/4

I:linebreak $

K:G

D | G B A2 D | G B A2 G/A/ | B B B A G | B/c/ d z z d |$ e d B A G/A/ | B G/F/ E2 F/G/ |

A A F E D | E/F/ G- G2 |]

**GB/7a/40 Bold Fisherman Version 1 of 3**

**abc notation**

X:40

T:GB/7a/40 The Bold Fisherman Version 1 of 3

T:Mr. Spooner c. 70), Midhurst Workhouse XII. 08

T:F.W. J(ekyll) & G.S.K. B(utterworth)

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:5/4

I:linebreak $

K:G

D | G G E F G | A A D2 D | G G A G A |[M:3/4] B2 B/c/ |$[M:5/4] d B A G A | B B E F G |

A A D F A | G2- G2 D | G G A G A |$[M:3/4] B2 B/c/ |[M:5/4] d B A G A | B B E F G | A A D F A |

G2- G2 |]

*Notes on GB/7a/40* The tune is identical to that of GB/6a/23.

**GB/7a/41 Bold Fisherman Version 2 of 3**

**abc notation**

X:41

T:GB/7a/41 The Bold Fisherman Version 2 of 3

C:Mr. Locke (c. 70) Rollesby, Norfolk, IV. 10

P:F.W. (Jekyll) & G.S.K. B(utterworth)

Z:Transcribed by Simon Furey and Lewis Jones

L:1/8

M:5/4

I:linebreak $

K:G

D2 | B2 B2 (3BcB A2 G2 | E2 E2 E4 D2 |[M:4/4]"^(a)" G3 A BABc |[M:3/4] d4 d2 |$

[M:5/4] e2 d2 (3BcB A2 G2 | d2 c2 E3 F G2 | c2 B2 D3 E F2 | G4- G4 |]$"^(a) var." G3 A BG Bd |

**GB/7a/42 Bold Fisherman Version 3 of 3**

**abc notation**

X:42

T:GB/7a/42 The Bold Fisherman Version 3 of 3

C:Workhouse, Minster, Kent, IX. 10

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:5/4

I:linebreak $

K:G

D |"^(a)" G G E F G | A A D2 D | G G A G A |[M:3/4] B2 B/c/ |[M:5/4] d B A G A |$

B/A/ G E !fermata!D G | A/B/ c D F A |[M:3/4] G2 D |[M:5/4] G G A G A |[M:3/4] B2 B/c/ |$

[M:5/4] d B A G A | B/A/G/F/ E !fermata!D G | A/B/ c D F A | G2- G2 |]$"^(a) var." G G/F/ E F G |]

**GB/7a/43 You Seamen Bold that Plough the Ocean Version 1 of 4**

**abc notation**

X:43

T:GB/7a/43 You Seamen Bold that Plough the Ocean

T:Version 1 of 4

C:Mr H. Akhurst (c. 70), Lower Beeding, Sussex VI. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:5/4

I:linebreak $

K:G

d | G F G A B | c B A B c | d e =f d3/2 c/ | B A G2 d | G F G A B |$ c B A B c | d g d3/2 c/ B |

A A G2 G | d e =f2 d |[M:6/4] =f g f/e/ d z g |[M:5/4] =f e d3/2 c/ B |$ c d A2 d | G F G A B |

c B A B c | d g d3/2 c/ B | A A G2 |]

**GB/7a/44 You Seamen Bold that Plough the Ocean Version 2 of 4**

**abc notation**

X:44

T:GB/7a/44 You Seamen Bold that Plough the Ocean

T:Version 2 of 4

C:Mr. Harwood, Watersfield, Pulborough, VII. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:5/4

I:linebreak $

K:Gdor

d | G F G2 A |[M:6/4] B G !breath!A B- B c | d g f2 d3/2 c/ | A B G2 :| G/A/ |$[M:5/4] B f f2 d |

[M:6/4] g g !breath!f d- d d |[M:5/4] g g f e d | d/c/B/c/ d2 d |$ G F G2 A |

[M:6/4] B G !breath!A B- B c | d g f2 d3/2 c/ | B A G2 |]

**GB/7a/45 You Seamen Bold that Plough the Ocean Version 3 of 4**

**abc notation**

X:45

T:GB/7a/45 You Seamen Bold that Plough the Ocean

T:Version 3 of 4

C:Mr Dearling (c. 50), West Burton, Sussex, VII. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:5/4

I:linebreak $

K:Gdor

d | G F G2 G/A/ | B G A B c | d g f d c/B/ | A B G2 :| G/A/ |$ B/c/d/e/ f2 d |

[M:6/4] g g f/e/ d- d g |[M:5/4] g g f e d |[M:4/4] d B/c/ d d |$[M:5/4] G F G2 G/A/ |

[M:4/4] B A/G/ A/B/ c | d g f d/c/ | A B G2 |]

**GB/7a/46 You Seamen Bold that Plough the Ocean Version 4 of 4**

**abc notation**

X:46

T:GB/7a/46 You Seamen Bold Who Plough the Ocean

T:Version 4 of 4

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:5/4

I:linebreak $

K:G

D | G F G2 G/A/ |"^? " B c/B/ A B c | d g d2 c/B/ | A B G2 :| c |$ d e =f e d |

[M:6/4] g g !breath!f (d3/2 e/) =f |[M:5/4] g g =f e d | c/d/ e d2 D |$ G F G2 G/A/ |

B c/B/ A B c | d g d2 c/B/ | A B G2 |]

**GB/7a/47 The Trees They Do Grow High Version 1 of 3**

**abc notation**

X:47

T:GB/7a/47 The Trees They Do Grow High

T:Version 1 of 3

C:Mr Cranstone (c.50) Billingshurst, VI.07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/8

Q:1/4=60

M:2/4

I:linebreak $

K:A

"^Slow" D2 | A2 AB | c2 B>G | A>G ED | E3 F | =GF GA | B2 A>F | D2 E>D | E3 E | c2 BA |$

c/d/e- ed |[M:3/4] ce A3 B | AG E3 F |[M:2/4] =GA GE | D2 DD | E A3- | A4- | A2 |]

**GB/7a/48 The Trees They Do Grow High Version 2 of 3**

**abc notation**

X:48

T:GB/7a/48 The Trees They Do Grow High

T:Version 2 of 3

C:Mr William Smith, Stoke Lacey, Herefordshire, IX.07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/8

Q:1/4=80

M:4/4

I:linebreak $

K:Ador

"^Slow, freely" E2 | E3 A A2 B2 | c2 d4 G2 | A3 B AG E2 | G6 E2 | G2 E2 G3 E | GA B4 G2 |$

A3 B AG F2 | E6 DD |"^(a)" E4 e2 d2 | GB d4 e2 | AB c2 BA G2 | E6 EF |$ G3 A GF E2 |

[M:3/4] DD D3 D |[M:4/4] E A3- A4- | A2 z2 z2 || E2 | E3 A A2 B2 | c2 d4 G2 |$ A3 B AG E2 | G6 E2 |

G2 E2 G3 E | GA B4 G2 | A3 B AG F2 | E6 DD |$"^(a) var. 1" E2 e2 d3 B | GB d4 e2 | AB c2 BA G2 |

E6 EF | G3 A GF E2 |[M:3/4] DD D3 D |$[M:4/4] E A3- A4- | A2 z2 z2 || E2 | E3 A A2 B2 | c2 d4 G2 |

A3 B AG E2 | G6 E2 |$ G2 E2 G3 E | GA B4 G2 | A3 B AG F2 | E6 DD |[M:3/4]"^(a) var. 2" D4 DD |

[M:4/4] GB d4 e2 |$ AB c2 BA G2 | E6 EF | G3 A GF E2 |[M:3/4] DD D3 D |[M:4/4] E A3- A4- |

A2 z2 z2 |]

*Notes on GB/7a/48* The MIDI file *GB-7a-48.mid* plays out all the variants in full; the PDF file *GB-7a-48-var.pdf* displays all the variants in full; and the MusicXML file *GB-7a-48-var.xml* contains the full musical notation for all the variants.

**GB/7a/49 The Trees They Do Grow High Version 3 of 3**

**abc notation**

X:49

T:GB/7a/49 The Trees They Do Grow High

T:Version 3 of 3

C:Mrs Whiting (p1) Newport, Mon. IV.08

Z:Transcribed by Simon Furey and Lewis Jones

L:1/8

Q:1/4=150

M:6/8

I:linebreak $

K:Ador

"^Rather fast" A2 G | E2 A A2 B |"^(a)" c3 B2 B | A2 B AGE | G3- G2 E | G2 E G2 E | G2 A B2 B |$

"^(b)" A2 G AGE | E3- E2 D | E3 e2 d | G2 B d2 e | AB c BAB |"^(c)" E3- E2 F | G2 A AGE |$

D3 C2 D | E A2- A3- | A3 || A2 G | E2 A A2 B |"^(a) var." c3 BAG | AB A AGE | G3- G2 E |$

G2 E G2 E | G2 A B2 B |"^(b) var." A2 G E2 D | E3- E2 D | E3 e2 d | G2 B d2 e | AB c BAB |$

"^(c) var." BA B E2 F | G2 A AGE | D3 C2 D | E A2- A3- | A3 |]

*Notes on GB/7a/49* The MIDI file *GB-7a-49.mid* plays out all the variants in full; the PDF file *GB-7a-49-var.pdf* displays all the variants in full; and the MusicXML file *GB-7a-49-var.xml* contains the full musical notation for all the variants.

**GB/7a/50 The True Lover's Farewell**

**abc notation**

X:50

T:GB/7a/50 The True Lover's Farewell

C:Mrs Cranstone (p.4) Billingshurst, VII.07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/8

Q:1/4=174

M:12/8

I:linebreak $

K:Ador

"^Rather fast" A2 B | c3 B2 c A2 B c2 E | E2 F G2 E D3 A2 B | c3 B2 A G2 A B3 | A6- A3 A2 B |

"^(a)" c3 B2 c A2 B c2 E |$ E2 F G2 E D3 C2 C | D3 c3 B2 A G2 B | A3 A3 C2 B, C2 D |

E3 c3 B2 A G2 B | A6- A3 || A2 B |$ c3 B2 c A2 B c2 E | E2 F G2 E D3 A2 B | c3 B2 A G2 A B3 |

A6- A3 A2 B |"^(a) var." c3 B2 c e2 B c2 E |$ E2 F G2 E D3 C2 C | D3 c3 B2 A G2 B |

A3 A3 C2 B, C2 D | E3 c3 B2 A G2 B | A6- A3 |]

*Notes on GB/7a/50* The MIDI file *GB-7a-50.mid* plays out all the variants in full; the PDF file *GB-7a-50-var.pdf* displays all the variants in full; and the MusicXML file *GB-7a-50-var.xml* contains the full musical notation for all the variants.

**GB/7a/51 Erin's Lovely Home Version 1 of 3**

**abc notation**

X:51

T:GB/7a/51 Erin's Lovely Home Version 1 of 3

C:Mr. Dick Anthony (c. 40), Stanford Bishop, Herefordshire, IX. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:4/4

I:linebreak $

K:Eaeo

G/A/ | B B A B/A/ | G E A E | D F E E | E3 |: E/F/ | G E G A | B e d e/d/ |$ B B/A/ G A | B3 :|

G/A/ | B B A B/A/ | G E A E | D F E E | E3 |]

**GB/7a/52 Erin's Lovely Home Version 2 of 3**

**abc notation**

X:52

T:GB/7a/52 Erin's Lovely Home Version 2 of 3

C:Mr. Spooner (c. 70), Midhurst Workhouse, XI. 08

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:4/4

I:linebreak $

K:Edor

G | B B A B | G B A/G/ E | D G E D | E3 |: E | G G F E | e2 !fermata!d e |$"^(a)" B/c/ d B A |

B3 :| G | B B A B | G B A/G/ E | D G E D | E3 || G |$ B B A B | G B A/G/ E | D G E D | E3 |: E |

G G F E | e2 !fermata!d e |"^(a) var." B d B A |$ B3 :| G | B B A B | G B A/G/ E | D G E D | E3 |]

*Notes on GB/7a/52* The MIDI file *GB-7a-52.mid* plays out all the variants in full; the PDF file *GB-7a-52var.pdf* displays all the variants in full; and the MusicXML file *GB-7a-52var.xml* contains the full musical notation for all the variants.

**GB/7a/53 Erin's Lovely Home Version 3 of 3**

**abc notation**

X:53

T:GB/7a/53 Erin's Lovely Home Version 3 of 3

C:Mr. Fletcher, Credenhill, 1906

P:F.W. J(ekyll) & G.S.K. B(utterworth)

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:4/4

I:linebreak $

K:Eaeo

G/A/ | B B A B | G G A/G/ E | D D E E | E3 |: E | G E G B | e2 d B |$ G G A A | B3 :| G/A/ |

B B A B | G G A/G/ E | D D E E | E3 |]

**GB/7a/54 Down In Our Village Version 1 of 2**

**abc notation**

X:54

T:GB/7a/54 Down In Our Village Version 1 of 2

C:Mrs. Verrall (Journal 8), Horsham, XII. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:5/4

I:linebreak $

K:G

D | G A B2 G | A B c A d | G A B2 G | B A z z D |$ G B d2 B | c d e2 B | c c D F A | B G- G2 |]

**GB/7a/55 Down in Our Village Version 2 of 2**

**abc notation**

X:55

T:GB/7a/55 Down In Our Village Version 2 of 2

C:Mr. Standing (c. 70), Washington, Sussex, XII. 07

P:F.W. J(ekyll) & G.S.K. B(utterworth)

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:5/4

I:linebreak $

K:G

D | G G B2 G | F A c2 A | G G B2 G | F A z z D | G B d2 d |$ c c E3/2 F/ G | A A D2 F |

A G z z"^Chorus" D | G G G B G | F A c B A |$ G G G B G | F A z z D | G B d2 d | c c E3/2 F/ G |

A A D F A | A G- G2 |]

**GB/7a/56 On Christmas Night All Christians Sing Version 1 of 2**

**abc notation**

X:56

T:GB/7a/56 On Christmas Night All Christians Sing

T:Version 1 of 2

P:Mr Knight (c. 60), Horsham, IV. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:6/4

I:linebreak $

K:C

E | G2 G F2 F | E2 E D C B, | C2 C D E F | E2 D C3 | E3 D2 C | D E F G F E |$ D6 | G3 A3 |

w: ||||||||news of|

(G2 E) F3 | G3 C2 C | D E F E2 D | C4- C |]

w: news * of|news of our|mer- ci- ful sav- iour's|birth *|

*Notes on GB/7a/56* The tune is identical to that of GB/6a/125.

**GB/7a/57 On Christmas Night All Christians Sing Version 2 of 2**

**abc notation**

*Notes on GB/7a/57* The tune is identical to that of GB/6a/126.

X:57

T:GB/7a/57 On Christmas Night All Christians Sing

T:Version 2 of 2

C:Mrs Cranstone (p. 4), Billingshurst, VI. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:6/4

I:linebreak $

K:Cmix

C | D2 C D E F | G2 G D2 C | D2 C D E F | G2 G D3 |$ G2 B A3 | G3 F E D | G2 G C2 C | D E F E2 D |

C4- C |]

**GB/7a/58 Bonny Blooming Highland Jane**

**abc notation**

X:58

T:GB/7a/58 Bonny Blooming Highland Jane

C:Mrs. Whiting (p. 1) Newport, Mon., IV. 08

Z:Transcribed by Simon Furey and Lewis Jones

L:1/8

M:5/4

I:linebreak $

K:Fdor

cB | BA F2 F2 E2 FG | A2 A2 B4 AB | c2 !fermata!c2 B2 c3 B | BA F2 E4 !fermata!cB |$

BAFG F2 E2 FG | AG A2 B4 AB | c f2 e ce c3 B | BA FG F4 cd |$ e2 e2 f2 e2 cB | ABcd e4 c2 |

fecd c2 B2 AB | cBAF E4 !fermata!cB |$ BAFG F2 E2 FG | A2 A2 B4 AB | c f2 g fe c3 B | BAFG F4 |]

*Notes on GB/7a/58* The tune is similar to that of GB/6a/30.

**GB/7a/59 Dabbling in the Dew Version 1 of 3**

**abc notation**

X:59

T:GB/7a/59 Dabbling in the Dew Version 1 of 3

C:Mrs. Cranstone (p. 4), Billingshurst, VI. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/8

M:4/4

I:linebreak $

K:Fmix

F2 F>G A>G F2 | B2 c>B A>G F2 | B2 B>B c2 c2 | f2 f2 c4 |$ c2 c>d e2 e2 | f2 c>B A>G F>F |

G>A B>B c2 c>B | A2 G2 F4 |]

*Notes on GB/7a/59* The tune is similar to that of GB/6a/62 but in a different key and at a different pitch.

**GB/7a/60 Dabbling in the Dew Version 2 of 3**

**abc notation**

X:60

T:GB/7a/60 Dabbling in the Dew Version 2 of 3

C:Mrs. Verrall (Journal), Horsham, XII. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/8

M:4/4

I:linebreak $

K:F

c2 | F2 A>B c2 f2 |[M:5/4] c2 c>B BG F2 c>c |[M:4/4] F>G A>B c2 f>f | e2 c2 c3 c |$

f2 f>g f>e c2 | B2 B>d c>A B>G | F>G A>B c2"^(a)" _e>d | cB G2 F2 |]$"^(a) var." d>c | c2 F2 F2 |]

*Notes on GB/7a/60* The tune is similar to that of GB/6a/63 but in a different key and at a different pitch. The MIDI file *GB-7a-60.mid* plays out the variant in full.

**GB/7a/61 Dabbling in the Dew Version 3 of 3**

**abc notation**

X:61

T:GB/7a/61 Dabbling in the Dew Version 3 of 3

C:(Mrs. Verrall), Ticehurst, Kent, 1906

P:F.W. J(ekyll)

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:4/4

I:linebreak $

K:Fmix

F F{/G} E{/D} C | F G{/B} A F | B{/c} A{/B} c f |"^(a)"{/d} e c c z |$ f f{/g} e{/d} c |

{/d} F{/F} A{/B} c c |{/B} E{/E} G{/_A} B e |{/d} c{/B} G F2 |]$"^(a) var."{/e} c c c z |

*Notes on GB/7a/61* The tune is similar to that of GB/6a/64 but in a different key and at a different pitch.

**GB/7a/62 Yonder Stands a Lovey Creature Version 1 of 2**

**abc notation**

X:62

T:GB/7a/62 Yonder Stands a Lovely Creature

T:Version 1 of 2

C:Mr Martin (c. 60), Fletching, Sussex, II. 09

P:F.W. J(ekyll)

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:4/4

I:linebreak $

K:Dmix

G G A B | d d c/B/ A | d A A F | G A E2 |$ E F/G/ A B | A D B, D | E F/G/ A B |

"^(a)" A/G/ E D2 |]$"^(a) var." A E D2 |

*Notes on GB/7a/62* In the Take 6 Catalogue the title is recorded as "Younder ...etc." The tune is similar to that of GB/6a/180 but in a different key and at a different pitch. This version also adds a variant in the last bar. The MIDI file *GB-7a-62.mid* plays out the variant in full

**GB/7a/63 Yonder Stands a Lovely Creature Version 2 of 2**

**abc notation**

X:63

T:GB/7a/63 Yonder Stands a Lovely Creature

T:Version 2 of 2

C:Heygate, Rusper, II. 10

Z:Transcribed by Simon Furey and Lewis Jones

L:1/8

M:4/4

I:linebreak $

K:G

G2 G2 GA Bc | d2 d2 cB G2 | g3 e a3 g | f2 e2 d4 |$ d3 d d2 B2 | g2 e2 d2 GA | B3 c d2 A2 |

c2 BA G4 |]

**GB/7a/64 Pretty Ploughboy**

**abc notation**

X:64

T:GB/7a/64 Pretty Ploughboy

C:Mr G. Hillman (c. 70), Shoreham Workhouse, III.09

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:4/4

I:linebreak $

K:Ddor

D | G G F G | A2 D E/F/ | G2 F E | D3 D | G ^F G A/B/ | c c d c/B/ | A3 G |$ A G A/B/ c |

d2 c d/c/ | A A G/F/E/D/ | C2 D E | F G A A | G F E F/E/ | D3 |]

*Notes on GB/7a/64* The tune is identical to that of GB/6a/142.

**GB/7a/65 Come All You Little Streamers**

**abc notation**

X:65

T:GB/7a/65 Come All You Little Streamers

C:Mr.Spooner (c.70), Midhurst Workhouse, XI. 08

P:F.W. J(ekyll)

Z:Transcribed by Simon Furey and Lewis Jones

L:1/8

M:6/8

I:linebreak $

K:C

B2 d | d2 c AGF | A2 G E2 F | G2 G A2 B | c3- c2 |: c | G2 G !fermata!e2 c | d3 ede |$

c2 c E2 F |1 G3- G2 :|2 G3 B2 d || d2 c AGF | A2 G E2 F | G2 G A2 B | !fermata!c3 |]

*Notes on GB/7a/65* The tune is similar to that of GB/6a/48 but there is a minor variation in the fifth full bar.

**GB/7a/66 Come My Own One Version 1 of 4**

**abc notation**

X:66

T:GB/7a/66 Come My Own One Version 1 of 4

C:Mr. H. Webb (c. 70), Stanton St. John, Oxon. V. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/8

Q:1/4=112

M:3/4

I:linebreak $

K:F

E>F | G>E C2 G>G | A2 F2 c>f | d2 c2 A>F | G4 c>c |$ d2 c2 B2 | c>A F2 A>c | B>B C2 E>G | F4 |]

*Notes on GB/7a/66* The tune is identical to that of GB/6a/51.

**GB/7a/67 Come My Own One Version 2 of 4**

**abc notation**

X:67

T:GB/7a/67 Come My Own One Version 2 of 4

C:Young children of Mr. Walter Searle, Amberley, Sussex, VI. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/8

M:3/4

I:linebreak $

K:F

A>A | B2 C2 G>F | A2 C2 C>B, | A,>C F>A c>c | G4 c>c |$ d2 c2 A>F | c>A F2 c>c | B2 C>E G2 | F4 |]

*Notes on GB/7a/67* The tune is identical to that of GB/6a/52.

**GB/7a/68 Come My Own One Version 3 of 4**

**abc notation**

X:68

T:GB/7a/68 Come My Own One Version 3 of 4

C:"Worcester Peg" (c.70), Stoke Lacy, Herefordshire, IX. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/8

M:3/4

I:linebreak $

K:F

F>F | GE C2 B>B | AG F2 FA | d2 c2 (3AGF | G4 FA |$ d2 c2 (3AGF | Ac F2 Ac | B>B C2 DE | F4 |]

*Notes on GB/7a/68* The tune is similar to that of GB/6a/53.

**GB/7a/69 Come My Own One Version 4 of 4**

**abc notation**

X:69

T:GB/7a/69 Come My Own One Version 4 of 4

C:Mr. Chalcraft (c. 80), Petworth, XII. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/8

M:3/4

I:linebreak $

K:F

F>G | A2 C2 F>G | A2 F2 F>A | c3 d cA | G4 Ac |$ d2 c2 A>F | c>A F2 A>c | B>B C>E G>G | F4 |]

*Notes on GB/7a/69* The tune is similar to that of GB/6a/54.

**GB/7a/70 All Round My Hat Version 1 of 2**

**abc notation**

X:70

T:GB/7a/70 All Round My Hat Version 1 of 2

C:Mr. Edmund Knight (c. 70), Washington, Sussex. XII. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/8

M:6/8

I:linebreak $

K:Gmix

D | G3 AGF | G3 ABc | d2 d edc | d2 c A2 A | G3 AGF |$ G3 ABc | d3 edc | d3- d2 d | de c c2 e |

d2 c A2 B | c2 A d2 G |$ G2 F !fermata!D2 D | G3 AGF | G3 ABc | d2 d c2 B | G3- G2 |]

*Notes on GB/7a/70* The tune is identical to that of GB/6a/1.

**GB/7a/71 All Round My Hat Version 2 of 2**

**abc notation**

X:71

T:GB/7a/71 All Around My Hat Version 2 of 2

C:Collected from Mr. Verrall, Horsham, Sussex, July, 1909

Z:Transcribed by Simon Furey and Lewis Jones

L:1/8

Q:1/4=120

M:6/8

I:linebreak $

K:G

D | G3 A2 F | G3 B2 c | d3 c2 B | G2 F D3 | G3 A2 F |$ G3 B2 c | d2 d =f2 e | d3- d2 d |

e2 c c2 e | d2 c A2 B | c2 A d2 G |$ G2 F D2 D | G3 A2 F | G3 B2 c | d3 c2 B | G3- G2 |]

**GB/7a/72 Salisbury Plain Version 1 of 3**

**abc notation**

X:72

T:GB/7a/72 Salisbury Plain Version 1 of 3

C:Mr H. Akhurst (c. 70), Lower Beeding, Sussex VI. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:4/4

I:linebreak $

K:Ddor

A | A F E D | A2 G/F/ E | D2 A3/2 B/ | c A G A/B/ | c2 d/c/ B | A2 A3/2 B/ |$ c A G A/B/ |

c2 d E | F E D D | A/B/ c d/c/ B | A2 G/F/ E | D3 |]

*Notes on GB/7a/72* The tune is identical to that of GB/6a/145.

**GB/7a/73 Salisbury Plain Version 2 of 3**

**abc notation**

X:73

T:GB/67a/73 Salisbury Plain Version 2 of 3

C:Mr Harwood (c. 60), Watersfield, Pulborough VII. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:4/4

I:linebreak $

K:Ddor

A2 | D A G A | G2 A E | D2 A3/2 B/ | c A F A | c2 d c | A3 A/B/ |$ c A F A | c2 d D | F E D C |

c c d c | A2 G3/2 F/ | D2 |]

*Notes on GB/7a/73* The tune is identical to that of GB/6a/146. For Version 3 of Salisbury Plain see GB/7a/33B above.

**GB/7a/74 Sovay Version 1 of 2**

**abc notation**

X:74

T:GB/7a/74 Sovay Version 1 of 2

C:Mrs Cranstone (p. 4), Billingshurst, XII. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:3/2

I:linebreak $

K:G

D | G F G2 A2 | G E D3 D | G F G3 A/B/ | c d A2 G3/2 G/ |$ A/B/ c d2 c c | B A G3/2 F/ D E |

=F G F3/2 E/ !fermata!D C | D D d3/2 e/ d c | B A G3 |]

*Notes on GB/7a/74* The tune is similar to that of GB/6a/154.

**GB/7a/75 Sovay Version 2 of 2**

**abc notation**

X:75

T:GB/7a/75 Sovay Version 2 of 2

C:Mr Welfare (c.60), East Chiltington, Sussex, VII. 08

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

Q:1/4=120

M:3/2

I:linebreak $

K:G

D |"^(a)" G F G2 A2 | G E D3 G | G F G2 G/A/ B | c B A2 B3/2 c/ |$ d d/B/ c2 d G | A F/E/ D3 D |

G3/2 A/ B3/2 A/ !fermata!G G |[M:5/4] G d c B A |$[M:3/2] B B/A/ G3 || D |

"^(a) var." G F G2 A3/2 G/ | F E D3 G | G F G2 G/A/ B |$ c B A2 B3/2 c/ | d d/B/ c2 d G |

A F/E/ D3 D |$ G3/2 A/ B3/2 A/ !fermata!G G |[M:5/4] G d c B A |[M:3/2] B B/A/ G3 |]

*Notes on GB/7a/75* The tune is similar to that of GB/6a/155.

**GB/7a/76 The Cruel Father and Affectionate Lovers Version 1 of 3**

**abc notation**

X:76

T:GB/7a/76 The Cruel Father and Affectionate Lovers

T:Version 1 of 3

C:Mr. George Knight (c. 60), Horsham, IV. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:5/4

I:linebreak $

K:G

D | G E D G G | A A A B B/c/ |[M:6/4] d d c2 B3/2 G/ |[M:5/4] A A G2 :|$ B | c d e c A |

[M:6/4] B c d B z d |[M:5/4] c B A G E | F G D2 D |$ G E D G G | A A A B B/c/ |

[M:6/4] d d c2 B3/2 G/ |[M:5/4] A A G2 |]

*Notes on GB/7a/76* The tune is similar to that of GB/6a/56.

**GB/7a/76A The Cruel Father and Affectionate Lovers Version 2 of 3**

**abc notation**

X:76

T:GB/7a/76A The Cruel Father & Affectionate Lovers

T:Version 2 of 3

C:Mr. Walter Searle (c. 40), Amberley, Sussex, VI. 07

Z:Transcribed by Simon Furey and Lewis Jones

W:Note: This tune is crossed out in the original MS. The reason why is unknown.

L:1/4

M:5/4

I:linebreak $

K:G

D | G E D G G | A A A B B/c/ | d e c/B/ A d | G F G2 :| B |$[M:6/4] c d e2 c3/2 A/ |

[M:4/4] B/c/ d2 d | c2 B A |[M:5/4] G G B/c/ d G | A A D2 D |$ G E D G G | A A A B B/c/ |

d e c/B/ A d |[M:4/4] A G2 |]

*Notes on GB/7a/76A* The tune is similar to that of GB/6a/57. For unknown reasons this tune is crossed out in the original MS; it is also unrecorded in the catalogue and the number "76A" has been added by the transcribers.

**GB/7a/77 The Cruel Father and Affectionate Lovers Version 3 of 3**

**abc notation**

X:77

T:GB/7a/77 The Cruel Father and Affectionate Lovers

T:Version 3 of 3

C:Mrs. Cranstone (p. 4), Billingshurst, VII. 07

Z:Transcribed by Simon Furey and Lewis Jones

L:1/4

M:5/4

I:linebreak $

K:G

D | G G D F A | d d G B d |[M:6/4] c B B3/2 A/ G3/2 E/ |[M:5/4] A A D2 D |$ G G D F A |

d d G B d |[M:6/4] c B B3/2 G/ A A | G4 |]

*Notes on GB/7a/77* The tune is identical to that of GB/6a/58.